Lyndsy Fonseca on Romy and Michele's High School Reunion

[Music] hey hi welcome to someone else's movie The Original podcast where an actor writer director or nebulous industry figure gives a little love to a movie they didn't make I'm Norm Winer senior film writer for Now Magazine and this is the other thing I do my guest this week is Lindsay fona an actor you may remember from everything from Nikita and the Kick-Ass movies to Big Love and Marvel's Agent Carter and of course from the framing device of How I Met Your Mother she's currently starring opposite Josh peek and some very nice dogs in the Disney plus series Turner and Hooch which drops its season finale this Wednesday October 6th Lindsay picked Romy and Michelle's High School reunion the 1997 comedy about two lifelong best friends played by Mir suro and Lisa kudro whose looming reunion becomes a wakeup call to the fact that they haven't achieved much of anything that's the kind of thing that might lead some people to re-evaluate their life choices instead Romey and Michelle decide to pretend they've made great choices all along returning to confront their old rivals and some Old Flames as fantastically successful career ladies using Robin schiff's Ecentric but emotionally consistent screenplay as their foundation and supported by a crackling cast that includes Janine Galo Alan cuming and Julia Campbell Serina and kudro rip into every comic opportunity and director David mkin is there to make sense of it all this could have been a fun little trifle but it's so much more this is someone else's movie you know we have these moments in our youth these like really sort of important sort of I guess cognitive leaps in our in our growing up phases and that was one of them I remember that movie so vividly but I didn't I was much younger than them so I didn't watch it when it first came out in theaters I watched it later even though I thought it was a new movie um but I remember watching this movie and clueless like a ride around the same time yeah and and for me something about the humor in Roman Michelle that I got even more than clueless but they were both important films at that time I was in Middle School um and I I felt like I couldn't quite figure out my you know we're just young trying to figure out who we are and I remember being sort of floating between the more nerdy or or or artistic uh you know theater kids to the like the popular girls and feeling like I loved things about both of these groups of girls and feeling lost and and I just felt like this movie was about these two women going back to high school and sort of reclaiming their their Dignity of like who they are I just loved the the concept so I mean it means different things for me now than it did then but they're both equally important you know yeah that's a really good way to put it it it is such a Charming weird I mean I saw it at a I think I saw it at a sneak preview like the Wednesday night before it opened with an invited radio audience oh fun yeah and they the room had no idea what to make of it which was so great it's it happens all the time with comedies where people who get a free ticket because they won a contest have no expectation and also maybe wouldn't go see this thing if it was there if it was a choice but because it's free they just showed up and so you never really know how a comed's going to play for an audience like that and I remember moments where I was the only one laughing and really yeah oh it was the uh I just cut I cut my foot before and my Sho is filling up with blood which is just just she says it's just so dead pan but my shoe is filling up with blood and then she just wobbles away just so good it's a nonsecretor it's in character and it's really funny like it's just pure absurd as comedy yeah and the fact that um I didn't realize at the time I mean I should have known because I watched The Simpsons religiously at the time but that David mkin the director got a start there which explains everything about why it's basically a cartoon anyway he hasn't adjusted his sensibility which is exactly what this material needs 100% and to the point of even like when they go to the high school reunion and things start getting kind of weird almost like the tone changes and people are floating out of limousines and you're like wait a second this movie just got even weirder and and you know it turns out to be a dream but the idea that you go with it you're like oh I guess this is where we're at now people are just floating out of limousines that's actually kind of fun because usually in a film you know when something's a dream you're like there's no way that's happening but because it's already so wacky okay I guess we're floating out of limousines and we're just flying through the sky now I don't know yeah it's it's Charming in the in the way that it refuses to give like it just it's not like it's withholding but but like Rome and Michelle it will not be anything other than itself and and like the the fun of watching svino and Kudo figure out ways to kind of the whole thing is that they're trying to pretend that there's something they're not but they're incapable of it because they just keep being themselves and watching the actors play that that was really fascinating to me and it's the ultimate pay off when they go to the you know the popular girl and they're like you know what we're sick of that and it's like the ult like how many people dream about telling off the bully in school telling off the popular girl telling off whoever and being like I am me and I don't need to be I don't need to be you to be myself and it's just like it's very cathartic you know but also as a girl I I never had growing up like that best friend in that relationship was so I loved the idea of of those girls and and I remember being very envious of that you know working very young I never went to high school I was homeschooled on a soap opera with adults so of course so there's something like very um just I'm fascinated like Freaks and Geeks and this like certain things that tell these very truthful well I mean I don't know how truthful Romey and Michelle is but these these high school experiences are fascinating to me because it's like I was going through all the same things developmentally I just wasn't in a school setting so it kind of like puts context to a lot of these things for me too which is something else I really love about the film wow so it never really occurred to me that that people who grow up outside of that system will like I mean I can tell you I'm the age of the Freaks and Geeks characters and that's a documentary that everything in that is real that right depressingly you're you know you didn't have to go through it but the um but the other stuff that yeah you're missing all the socialization and you're missing all the weird awkward socialization where if you're surrounded by adults they're going to try to keep you from making their mistakes right like they'll try to give you the best possible experience without actually acknowledging how horrible school is and so you get these idealized versions where I me even Romy and Michelle they had a great time even though they weren't happy because they had each other right like that's the thread that the film keeps coming back to is this unbreakable even when they're trying not to speak to each other the indications are there like they want to and that's the kind of thing that that's perfect about high school movies the best friend thing like it's Ferris Beering Cameron and yes all the other the people who make each other better and the people who fix each other's problems and the people who stand up for each other and then Heather money who just Waits and stalks and scows and again Janine Garo is perfectly cast in that part perfect but there I have so many questions about this movie you know it's like were these two were these two act or three actresses were all of the actors in this they had going an audition in this way do they find this on the day was this being pushed upon them with the director to keep going further and then they sort of brilliantly listened to the notes and went on like you know I love the mystery behind this because like it's wackadoodle like all these all these dance sequences you know with Allan and you're like you know this is a Broadway awardwinning actor who's playing this bizarre character and like that dance sequence at the end of the movie is like impeccable it's like ridiculous it's like so ridiculous and yet the three of them it's just absolute Brilliance um but one of my favorite things is when like Lisa Kudo says I didn't even know high school was that bad until you said it was so bad yeah and then she's and I didn't even know we needed to impress anybody like we live a great life and I think I think we can all learn from that is like it really is this lens that we put on things like like we just being too hard on ourselves or are we just like is it actually okay like that wasn't so bad yeah almost every comedy that uses the slobs versus snobs thing and clueless does it in reverse right by having the snobs adop a slob and then learn from her but they're always based on the idea that they have to fight that they're needs to be conflict and right Romey and Michelle don't do that the movie doesn't do it but they Al just don't it's their philosophy they like things they are enthusiastic about things um yes yeah the fact that in their final dance sequence Romy has a Little Star Trek Insignia on and she's wearing it wrong it should be on the side instead of the center but it doesn't matter because it's where she wants it she saw it somewhere and she just adopted it and she took it over and that's fine it's part of her thing now and there is something really wonderful and yes it risks being Conflict Free as a as an experience as a narrator but it's just it was so much fun to just Bop along with this thing and I don't know where it's going it can't possibly be going along any normal structured act thing because none of this makes sense if you're watching it linearly but then they yeah as you say they get to the interpretive dance sequence and you're like yep okay of course they yes of course and it's not weird no I know but you know it's interesting you're right I guess that is that could be the Trap of the film as you know I'm sure the filmmakers felt but I mean the conflict is is within themselves are they going to have to adhere to other people and be what everybody expects of or their idea of what people expect them to be or are they just going to like be themselves I mean they wasted a lot of time just they could have just showed up exactly the way they were but they went through a whole a whole thing developing Post-it notes drama to get there but yeah fun we do need to talk about the posted notes thing because again if you're going to come up with a lie oh so good I think some part of me wants to believe that it's the Michael NES you know the Michael Nesmith story I think his aunt or his mother invented Liquid Paper Michael Nesmith from the monkeys that's his thing it's it's always been there and no one knows what to do with it because you know of course why not that that could absolutely be that person or um was it Heddy Lamar who has the payon for Wi-Fi or something like that I can never remember this but yeah just the things the things people do yeah and it's almost believable right except that some part of your brain knows that it isn't maybe it's the yepy commentary or something where there's tiny little window of time where that would have been a possible lie well and also it's not easily googleable like you can't take your phone out and be like who invented Post-its you know like we can do now like you can't get away with lies now you're like really and you just IMDb someone immediately and you're like you weren't in that you know you just so easy now but back in the day you just told someone something and I'm sure people just believed it yeah and why would you make up that story right like it has to be that up just outlandish enough to be bought totally who would bother to make something like this up and it's it's the enthusiasm that Michelle has for it as soon as Romy comes up with anything the way that yes she just adapts even when yeah as you were saying like even when she says I didn't realize high school was bad until you just now said it she just it's not like she doesn't think but that she's so happy to go along with things she's got this natural enthusiasm it's like a like a golden retriever just like oh we're in the car I can be in the car you know I actually think this is like a slightly too like a feminist film because it's like it's not about finding the guy you know that's not centered around that it's like it's about a female friendship and also ultimately like when they go to clubs they're like happy as dancing with themselves and like you know it really is you know when she says well we got to find guys and and it's like well so easy how how come we haven't done it it's like because they didn't need to they were so happy they didn't it's like if it happened it happened but they're not out there trying to like be these people that Society tells them to be they're just like living their best life until all of a sudden there's pressure I think there's something like so like female empowering about that it's like it's not you know it it doesn't fall into any of those traps of of the the guys being the thing that saves them and and all that stuff that we've seen a million times yeah and I I wanted to I wanted to come up with some larger concept about the casting because you know um Mira Serino just won the Oscar for Mighty Aphrodite Lisa Cudo was the breakout initially of of friends because you know she could do literally anything you threw her and they chose to do this which is great um and also there was and getting Garo was a deal too at the time because that was she was I don't think she was a bigger star than in that between like 94 and 98 um and she's like she's perfect for Heather she's she's amazing yeah it's that bitterness that comes from experience like it's not affected she really has spent a decade just getting stomped on and it's the same thing in a weird way like she's she's more like Rome and Michelle than she isn't because she's also entirely herself and incapable of Faking it but she's turned it into armor whereas they're just open to whatever else comes along yeah yeah I think she has one of the most poetic lines in the film which is the like I thought I'm paraphrasing but like she says to them you were just you were ruining my life in high school but I had no idea that they were ruining your life and I hope I ruined someone's life like that it's not we're we're just so when we're young we're just so in our own bubbles of being tormented that we can't believe that someone else that we look up to could possibly be tormented by something you know like we think they're living and it was this amazing aha moment that she had however you know 10 Years After High School of being like oh you were also struggling which is such a great life lesson in general yeah and it's one that puts the movie puts it into the world in a really graceful way as opposed to you know the Big Breakfast Club monologue halfway through where we get to see a bully feel bad about something no this is all just about people who didn't listen to each other and there's no yeah there's malice but it's not I don't know how to put this exactly it's a really graceful film about forgiveness right like and just leaving the past in the past yeah totally and that everyone was just doing their best to survive yeah yeah and the other thing I the one that makes that literal is is G point blank which is the guy version of this story because it came out within six months of Rome and Michelle it was also produced by yeah it also came from Disney it was like they were having this weird competition inh house to figure out how to tell the story for two different demograph Graphics without realizing that there's one that could work for both right like that's just the targeting that they were doing at the time but Gross Point Blank does it with violence and psychosis and shootouts and Rome and Michelle has a dance thing and it's not even a contest they just dance and it's it's lovely yeah just you need a little cindy Lopper to help move some emotions you know what I mean sometimes that's just what you need yeah yeah no kidding and you know and Allen coming as you pointed out every one of these people is is a heavy hitter in their chosen like yes even Catherine Manheim like I mean just top to bottom just you know it's a really random thing I don't know that actress's name who plays christe the the you know a the the popular girl she looks she looks insanely like my mother like it's crazy like if you take my mother at that age and her it's like they're twins it's the weirdest coincidence oh wow that's Julia Campbell and she was in yeah jul every 80s sitcom Herman's head there was an episode of Seinfeld she's on the Frogger episode and uh yeah I remember seeing her in other things yeah oh my gosh totally I mean it just I think that also shows like the directing is even though it's a wackadoo movie it's like the directing is very in sync with everyone like everyone's in the same movie and that is to me a key to really great directing which is when you're doing stuff that is so broad like this you have such a hesitancy for some actors to be bigger than others and be sort of like wackier and everything is so wacky but also so grounded and I think that is sort of a real key to this directing and and producing side of things is like keeping everyone's in the same tone it's really hard to do that sometimes when you take risks with sort of how big or broad you're going to do your character in your comedy you really have to trust that Direct is going to like you know connect the dots all [Applause] around I use this all the time on the on the podcast but Edgar Wright once said that the trick to making his movies is that you have to imagine that every actor is pulling on a line like a tug-of-war but they all have to have exactly the right tension and that's up to him but it's also up to them like he has to trust them that they they'll understand the tone he's after find it and yeah again like this movie shouldn't have worked it shouldn't have the tone that it not have worked it should not have worked but it's so much fun like you get swept up in it just like everybody else it's uh I'm I never did see it in a theater again which was kind of a regret I'd love to get the chance to play it for people and and because now of course if you announce your screening Rome and Michelle when is it 24 years later people will arrive who who've lived and breathed this film for their entire adult lives yes yes and they probably wear customs and it'll get weird but but you know the experience of it would be a room full of love for it because that's what like that's what happens with cult uh films they become beloved yeah and I wonder how many people just found it later like yourself you know you just came to it later yeah I mean I was so young when I saw it but I mean I think it I think it came out the year I was born but I were I think I was as young as like 10 when I saw this movie um so it was like very yeah it was like a again this one clueless there were like certain films that I sort of like oh and of course you know when they say if we're not married by the time we're 30 let's marry each other 30 seemed like a very old person sure God I think I was 31 no I was 29 um but I'm like I'm old enough that I did the clueless junk it oh my gosh it's amazing on that yeah that was that was really something Paul red does actually look exactly the same which is extremely unnerving um but that was he is aging backwards and I he's I don't understand it yeah Benjamin Button syndrome but with a pause button um Benjamin pause button is that a thing you should be well he does it yeah yeah there's a bit in there um but but yeah it's and clueless was another one where people thought it was like I remember people on the junket for clueless worrying that the film would be too smart for people because it was an Austin adaptation and so people were asking Amy hecking like do you think you know are people gonna get it and she kept saying it doesn't matter if you get the Austin references the structure is great so of course we can make the story work in the present day that's the beauty of it I was trying to figure out if there's a way to make that work with Roman Michelle but I think as yeah you're right Google kills it you can't actually pull off the Post-it notes so you could kind of reference it in past in but I think that's what makes cult movies really a perfect like actually that a cult movie is that it can only exist in its time that it came out right it can only be what it is it's it sort of exists in this perfect you know moment in the universe just gets birthed right at the right time you know yeah yeah that's a really good way to put it no other window would have worked no other window before or after it was just sort of perfect that's when these gems happen and you know that's what makes them so special yeah and oh here's the other thing I wanted to ask you do you know this was based on a book because I only just found out about it this week I didn't know it was based off a book oh they got the book rights well the screenwriter Robin Schiff also wrote the novel it's called ladies room I have never heard of it there's almost no I mean I don't even know if there was actually public actually I I worked it's so funny I worked with Robin um she she wrote a for Amazon that I was in and it didn't go it was early early creation of Amazon TV um and it was a comedy about a yoga studio and I was like the biggest fan when I met her I was like I cannot believe you of that movie like I was like just in complete awe that she that I got to work with her um and then I think I did oh I did an indie film with Katherine Manheim um this little little tiny lowbudget film called Fort McCoy and then that guy who plays Billy I can't remember the actor's name um the guy who plays you know the popular guy he did an episode of Nikita and it was like random he like did a guest spot and he like came on and I was like my jaw dropped I was like Billy we took pictures together it was hysterical oh that's Vincent yeah he did an episode of nikito one one of our seasons and it was like so cool so I've had a few of those moments but Robin yeah she she's a fantastic writer and I mean yeah I hope she writes more Little Gems like that yeah she's um she's not getting as much produced as I would have hoped actually she it seems like she's getting she's doing a lot of like pilotes and stuff I suppose that's how you put it right um according to this she and Winnie holsman are doing stuff for The Writers Guild foundation so that alone is great awesome awes did she talk about the film did she talk about Romey and Michelle at all or like did guys get to discuss the Legacy or is it one of those things where you end up in a room with somebody you really admire and the last thing you want to do is poke them yeah I think we were just so more focusing on the the job at hand um I think I had hoped if if the show had gone to series that we would have gotten into some good juice you know yeah I'm always I'm always in that situation like I constantly run into people who well not run into but I'm constantly you know connecting to people who do the stuff that I grew up loving and you just you know everybody has that Chris Farley sketch in their head was like you know that thing you did I love it tell me that it's good that I love it I don't want to do that but I have so many questions and with with this I just you know if this was a novel was the dance scene the ending it couldn't have been you'd have like it's such a visual thing no I bet I bet the book was so weird I had no idea this was a book that's so funny I bet it was very different it would have to be right it would have to be yeah structurally it would have to be different yeah and um maybe I'll read it yeah if if anybody can find it I'm sure you have the connection but um let me know I'm I'm really curious it does feel like this unicorn this movie that shouldn't have happened somehow that got out total unicorn that had escaped the studio especially because Disney was just well they weren't flailing but they were doing a whole bunch of stuff with Touchstone and Hollywood pictures that just but right every now and then something snuck through and this is well think about it in today's time I mean this movie would never be made now no it would be like a Netflix series someone would try to do a 12 episode run of it leading up to The Reunion yeah I mean there's so many of these little these movies that like were were box office releases that would never be made now I mean it's like the ultimate shame it's so I just feel like people would show up if more movies like this were made for theaters I want to believe that I I mean I really want to believe that I have watched the mid-range movie disappear because of you know like DVD and image quality got to the point where people could convince themselves that they were having just as good an experience with an HDTV and a comedy like this yeah it would either it would either make a $ hundred million or sink like a stone now just because it's like the closest thing I can come to is Barb and star yes which but that was straight to Netflix yeah oh was it in the States because it was Lionsgate I thought oh was it in theaters no because of Co it just there were no theaters but maybe normally it would have been in theaters yeah it was supposed to be it was supposed to be a summer 2020 release from Lionsgate and then they ended up I think here it was on it was on VOD but in the states it might have gone straight to Hulu but there's a uh there's a movement now they're actually going to re-release it at the Elmo Draft House theaters and make that's amazing that's amazing yeah it's like sometime in the next couple of weeks they're encouraging uh I just saw something about it on the wires they're encouraging costumes and and weird yes tropical drinks and that is a perfect example of a film that I liked very much in my living room but I would have loved it in a theater like if you really make that a girls night out and you have drinks that you know the the bar in the theater first and you go out to dinner after like you really make it in the like then you laugh your ass up it's like if you're like folding laundry and watching it at the same time it just doesn't have the same effect yeah you need a room like you need a you need an audience that is into it and you need enthusiasm and yeah drunk is probably always gonna help a film like that but yeah just just the experience and this is what I missed the most about the last year and a half is I can think of half a dozen maybe even a dozen movies I've seen that I wish I could have seen with a crowd whether I like them or not just to feel the room just to see how the thing plays for people yeah completely I I I love that feeling especially I remember when I saw um oh what's that Killian Murphy movie um wind that shake oh when that shakes the barley when that shakes the barley I remember being in that theater and there was like an entire like heavy energy like people were like connecting to each other in this like deep intensely emotional way and I walked out of that theater and I like remember looking at people and people were like looking at each other I mean this was a this was at the Lemley theater on Sunset in like um lural Canyon or you know that one what was it called I think it's different now um and it's like it was just such a collective emotional experience for everyone because it was so heavy and the performance performances were so incredible you need sometimes that you know you just want to be around people experiencing it at the same time yeah I'm just worried now that I'll overcorrect and kill the first person who puts his phone on which again they should know better they should at this point yeah so this is the the awkward bit I'm trying to figure out a transition um but it's such an it's such a weird film to ask this about is there anything of ran that you've used in your own work like I don't see a lot of sorino orud and Turner and Hooch currently but I haven't seen the whole series so there might be something coming um you know what I think no direct like sure I do I do plenty of comedy and uh and this film was very uh much of a made such an impact on me as a young kid and I started young you know I started acting just a few years later after I saw this film um so you know obviously it makes impact and and influences you in some way but I think ultimately like rewatching it as an adult and watching these and and you know as a a career actress is like just watching how free their comedy is and I remember making that shift on Turner and Hooch I felt a little bit more like constrained for some reason of like trying to figure out the tone in the very beginning and I feel like collectively as a cast we really just like dove deeper into all of our quirky people we really are um I won't speak for anyone else but for me personally I was like as the writing sort of got more for Laura's character and there was more of a storyline I just sort of felt more free and I see in Romey and Michelle this like just being truthful to who they are and and I think that's what we're always trying to search for when we're portraying these characters is just like we're always need to be the most free in ourselves to bring the character to life and I I think that that's a reminder to have like all the time you know yeah yeah the I gotta say my favorite episodes of sitcoms in their first season are usually episodes six and on once the writers figure the actors out and understand what they can be trusted with and how far they can push them and where they can go and yeah there's always like it's it's almost impossible to get something that lands off the Jump like news radio I think is the only one I can think of where you see the show in the first episode and it never really changes it's always there it just gets bigger but everything else has that learning curve and that moment where and yeah you know as as you say the actors are figuring out their characters as much as the writers are in the first few episodes and then you just see it all come together yeah yeah that's the best I mean very rarely are pilots indicative of like what you know the show will be but I I do find you know we as Turner and Hooch is a show I mean we had the template of the first film to like this is going to be a family show this is going to be a cowing show this is going to be this tonally we're going to have a little bit of everything we got to have the heart of the dad but we have to have the funny comedic moments um I think for us as a show leaning into the comedy has has definitely been our strong point you know yeah it's what it wants to be I think like I think it's what it wants to be when you when you talk to people about the original movie or at least when I have recently it's like you did you watch it all the way to the end cuz it's Bleak and I remember just I it's another one I saw with an audience that was not prepared like when it just really yeah I mean it's obvious what's yes of course but people were just like sobbing in the theater uh totally blindsided so I'm not asking you to tell me that I can feel secure about everything on the show but if you wouldn't mind no dogs will die that's all that matters that that H that helps right yes but but perhaps dogs will be injured that happens too and it's all make believe anyway it's fine it's perfectly all make belief yes this is yeah this is how I make it okay in my head it's like no the dog is fine the dog is at craft Services everybody's happy he's just getting a fake bandage are we have five hooches and they are they are they are so well treated it's like they are truly number one on the call sheet it is like they have full-time care I mean it's amazing I as an animal lover I was really a little I was nervous to be like oh gosh like if I don't agree with these practices or if I see them trying to like work these dogs too hard like I know myself and that's not something I'm going to be comfortable with like that's in the back of my head when you sign on to a show that's you know so heavily centered around animals and I mean that is was so far from the case it was like wait he did one take but he has to go take a break he was panting too hard he's hot okay so what do I just I so I'm just gonna okay I'm just going to pretend he's here you know like it was very much they were treated so well you know yeah I'm actually glad to hear that I I know it's going to be like any Studio shoot's going to be lawyered thoroughly and make sure everybody's safe but yeah there's that thing it's like with children and animals you're never totally sure they don't know it's not real or that they know it's not lating oh no the dogs fully don't know it's not real like we were told like we don't slam doors and we don't raise our voice around them if you ever see anything that's heightened emotionally the dogs are not there for it oh wow yeah that is so cool it's all sunshine and happiness and anything you see that's like a dog like tilting his head like confused it's just his ta it's just his coverage with a squeaky toy in the background like of him reacting to what we're doing you'll notice you never see him in a wide shot experiencing something because we won't put them through that I mean luckily I think that's a good thing that is that's great yeah why would you it's not necessary and even you know like we had a dog a pitbull in a car in one scene that was like angrily like barking at a window at Hooch and Hooch was supposed to see this and we didn't even want or I would say not it's not like I'm in charge of it but the creators like Hooch didn't experience that pit bull attacking trying to attack him it was a split screen they just actually married you know the the camera trick of of of of you know pasting together one shot so that it looks like they're in one shop but they're not they never even met that day you know wow all right now I have to go find that scene uh it hasn't aired yet it hasn't aired yet okay I was trying to think I haven't seen that yeah no you'll you'll see it and then you'll know my thanks to Lindsay fona who you can see right now in Turner and Hooch on Disney plus the season finale airs this Wednesday October 6th thanks also to jamy Lobel and Joel lukiri they know what they did you can find Lindsay on Twitter at lindsy mfun all one word and you can find Romy and Michelle's High School reunion on Blu-ray and DVD from Walt Disney Studios home entertainment it's also streaming in 4k on Disney plus and available to rent and purchase on most VOD platforms as always you can find me on Twitter at Norm Wilner and Elsewhere on the internet at now toronto.com where I'm hosting a bunch of podcasts these days and still trying to figure out how to relaunch the now streaming newsletter we got delayed we've had some stuff going on and you can find this podcast on Twitter at semc mcast and wherever you find podcast our theme song is by the last year if you like it or this show in general please say so leave a review wherever you've been enjoying us every little bit helps it truly does and check out the other shows on the frequency podcast Network while you're there watch movies stay safe wear a mask if you go out catch your shot already I'll see you next time [Applause] [Music] h