Burnley 1-1 Blackburn | John Eustace: "All I would say is I am proud of the whole squad.

and's goal bringing an end to Burley six and suive wins in this particular fixture leading up to today's game at more 15 shots for the home side three on target none of those coming in the second half of course the last half an hour Blackburn down to 10 men plenty of bookings to talk about and a lot of possession as ever of course for Scott Parker side but ultimately couldn't see black bur off key part of that Owen Beck and Andy vman both now talking to Juliet ferrington Owen Andreas where would you like to start with that that was one incredible East Lang starby I'm looking at you Andreas I'm going to start with you o yeah it was a it was an incredible game you know I think you know everyone knows how much of a derby it is and yeah you know when we went down to 10 men it was it was always going to be tough but credit to Andy for that incredible volley and yeah I think everyone who started and everyone who came on you know when we went down to 10 defended for the life so it's it's a credit to us all talks about your goal what about his performance no he was brilliant today I thought I thought obviously only come in a couple days ago only trained with us once or twice and yeah he was brilliant to defensively unbelievable so talk us through that goal it was a rocket yeah it wasn't a bad one I mean I thought I nearly scored after like 5 Seconds uh from the halfway line but yeah he just bounced up nice and you know I just just tried to get a good connection on it and to be fair as soon as I hit it like you kind of see it from behind knowing it's going in so it's a great feeling and when he talks about settling in couple of days on loan from Liverpool how have you found it really good you know I think that the lads have helped me settle in really well the manager as well so yeah that's helped me an awful lot and yeah I had a couple days training and was lucky enough to to play in the Derby today and yeah I just think it's a credit to all the boys for the shift we've just put out there how difficult was that shift bearing in mind you went down to 10 men as well yeah very hard I think obviously they're a good team you know they've just come down from the Premier League League um they've got unbelievable players um but I thought it was a credit like like always said to the 10 men on the pitch the ones who came on we we stuck together that's what we said before the game whatever happens will stick together and I think we showed that out there um obviously the fans pushed us through at the end as well and I think we deserve the point it certainly does feel like a different Blackburn a different season for you after the struggles of of last season coming into this team yeah I mean obviously for both of us we we're new so we we didn't have that last season we've come in obviously the manager brought us in and yeah it feels good and obviously we're still un beating in the league at the minute um we're going strong we brought in a few players so I think the squad's looking quite healthy so hopefully we can push up the right end of the table rather than down the bottom again I know what you can see coming he's obviously going to hand over player of the match to you but you you were saying he should get it he's saying you should get it so which way is it going to go give it Andy for that volley you know if he didn't score that would would have been a goal down so there you go congrats mate cheers P thank you thank you very much thank you Owen backck endearing himself there to his senior colleague let's get stuck into that Wonder go then which earned Blackburn a point here today Joey maing if Andy hinchliff called this a controlled slice I think slice is a bit harsh he's definitely cut across the ball but just in that buildup listen it's a long ball up yes but there's a plan behind that the header into his path then you have to get Runners off of it which you can see here so there is a structure behind it yes it's simple but it's incredibly effective and then once he gets into that position what a strike that is he will not have hit any better in his careers brilliant strike an absolute thing of beauty Gary RT scor many of those in your to not not too many but I'd like to say that I taught Andy vman out a do that when he sliced a few though I've sliced I've sliced a few I think me and Andy that's why Andy said it something we did so well in our careers wonderful goal then fandy vman which I'm sure made his manager very happy let's have a listen to him John eust with Juliet fingon John there was a lot in that red cards Yellow cards goals being ruled out where would you like to start oh listen I'm just immensely proud of the of the players the effort today was amazing the fans were absolutely fantastic so you know that's a Blackburn team that are together you know they're fighting for one one another and um you know to go through the last half an hour with 10 men uh and the way they did you know I'm just immensely proud I spoke to Owen Beck just a few moments ago he said he will sleep deep well tonight what an outstanding performance by him yeah I thought he was top draw you know I think early on they played on on him a little bit and uh it was like well this is uh against a very good championship team you know the uh he had some One V one Jews that he just missed out on but as the game went on I thought he was magnificent it was a fantastic debut for him and uh again very proud of his performance you talk about as the game went on the goal changed it it was it was such an an individual performance of Brilliance to be able to score that in that moment it was and um you know I think uh you when you come here local Derby the home team always going to start very very quickly um he took us a while to get to grips with that obviously Andy's go was a magnificent goal that's why we brought him to the football club you know he's a top top player especially at this level I think that's his 100 goal in his career as well which is a fantastic uh Landmark but listen Andy brings a lot of experience a lot of quality to the group which is what we wanted to help the other players help develop and um understand what it takes to to get points in the championship you could have had a second yeah no we could have and listen uh I think it was a obviously got to watch what I say but you know it was a terrible decision really you know TI through one goal I don't think he was offside um you know but that kind of summed the the officials up today for me you know without being too disrespectful have you had a chance to to speak to the officials will you speak to the officials no I don't I won't talk to the officials you know they they've got a tough job to to do but you know with a game of this magnitude I think it's just important they they they referee with in the right way and um you know I was disappointed with a lot of things uh during the game but you know that's football that's the championship and uh the most important thing is Blackburn Rovers were still unbeaten uh you know I was very very proud of the performance and the effort of of every one of the boys who came on the pitch were you disappointed with the sending off in the manner in which it happened yeah I think his first booking was very harsh anyway you know the second booking obviously if you do uh put your your hand up with a yellow card then you know you are going to get booked but he's learning about the championship you know he's learning about um a lot at the moment about you know what to do and what not to do on and off the pitch so you know m tywell u is obviously very disappointed but you know the lads he didn't let anyone down you know the lads uh made sure they they fought for every every one of them and uh you know they fought for that vital point it's like you can make these decisions you can do these things but a lot of it is education isn't it of course it is you know and we've got to learn from from mistakes and Maxi's got to learn from that you know he can't do that at this level and and at this league so you know he's he's learning all the time thought he he did well today um and looked after the ball well obviously he set the goal up with his header and you know he he he was up against two really experienced Center halfs at this level as well you know who've got um vast experience and and and Championship promotions in the about so for him to to play up against them to was was good and you know he you know he's going to get better going into the international break then I know this particular fixture has come early big test how would you assess the first few games of this season for you I think we've played two teams um at home that have obviously got good momentum um from being promoted last year which you know is always going to be tough very early on to get two victories against them you know he's very very pleasing and to you won't get too much tougher games in Norge City and and and Burnley away so to Come Away with um with two points from them you know I'm very proud and um you know a lot more hard work ahead uh and that will start on Monday in the two weeks International go well enjoy the weekend thank you John euster very measured there talking to Juliet he did however say that the disallow tyres Dolan goal was a terrible decision Gary do you agree with that well I think it was in the fact that they gave it for offside which it clearly wasn't offside and you know we haven't got a VR V in the championship I'm sure if there was a v that better have quickly um seen but that was a mistake you know like we said at the time had it have been for the foul I don't think anyone would have complained too much but it's these sort of moments but look it is a difficult game the game moves at such speed the linesman as soon as the pass is made he looks up quick you know and he does look as though he's offside there but when you slow it down and you go back to the initial contact he was clearly onside the standards of course Aron that we want our officials to live up to if you're looking at it from the assistant referee's point of view that's a relatively straightforward one decision to make between himself and the actual referee isn't it yeah definitely he's right there he's looking across the line and like said it's a massive mistake like I said then that that changes the game now if blackb go ahead there um and for me like I said it's um it's a massive blunder by him like I said and uh he's got to do better there mhm a red card could have changed the game Joe B didn't fortunately for Blackburn Rovers what's your thoughts with the two yellow cards H look both pretty soft I've I've got to say and you know it's a a player finding his way at this level in this country fair enough if that's going to be your first booking I still think it's a little bit soft you can see there it's a bit of a a lunge to try and recover the ball there which is fine you know in terms of that first one I mean the second one he's been fouled in the the first instant and listen we all know prz that the Mandate is you know you go and give the imaginary yellow card and you're going to get booked I just feel I'd like to just see a little bit of common sense as I say his experience has been in Belgium it's been in Spain where we see that a lot more I just feel having been booked already the referee potentially could have just gone and had a word with him and just reiterated the fact that we can't do that I know it's a difficult situation for them to get into because if they don't give him a yellow maybe he then goes and gets judged by people that are assessing his performance but to see someone sent off for those two you know it's very very harsh I feel you can sense the frustration you can see Gay's reaction to it Gary but as Joe quite rightly says players everyone involved in football clubs knows know exactly what the stipulations and the laws are going into each season but that there might be to play Devil's Advocate and and don't get me wrong I think the referee's done exactly what the referee should be doing in that position but they may look at tackles in the first half and said some could have been a red some could have been uh more more than more than what they were deemed to be serious Foul Play for and then you see that happen it's more of a respect thing isn't it for colleagues and officials when that imaginary yellow card comes out yeah I think if it's for if it's for fouls and you can use a little bit of OB objectivity depending on how the game is if it's a local Derby you might let one or two thing go and have a little word but I think um you know when it comes to one of those moment that sometimes you know at the start of the Season they'll clamp down on certain things that might be one of the ones that gone around order club and said you know if you do that it is a little bit disrespectful to your peers in some ways Joby said it culturally that is the norm in certain leagues um but once you know that and you do it I don't think the referees allowed to use common sense and I think that's the difference in that moment okay do let's go back to the opening goal of the game L Foster with that particular header talk us through it from a Wingers point of view because is really a thing of beauty isn't it from the left hand side and jayen anony yeah we talked about jayen anony before the game and we thought he might play on the right but listen Brown makes a good run in behind and you see jayen an's position here he's just waiting he's waiting he sees the run and there he's gone he's off his fullback into space slows the defender down here great first touch and it's a lovely stand up with his left foot and does he pick him out or do he put it into into an area no I think he picks him out here it's a lovely ball like you said you see him here just slows down the the fullback and it's a lovely little clip and it's it's a great Header by La it was really interesting just before the game we showed in terms of what Scott Parker likes from his wide men and he reiterated how important it was getting someone like jayen Anon and who knows how he wants to play and it's like that type of movement where he's come short initially just to hook the fullback and then it's about the understanding off the back of that brownhill making that run into that space that he' vacated but then going on to continue to run fantastic cross in it wasn't it and it's a Striker's dream and I think you know he'll be such a good signing for them goals elsewhere in the championship for card if it's a worst start for them to a season in 35 years bah seemingly up and running now under Michael Carrick that high XG I spoke about before the game Gary being put to fruition there wonderful thumping headed from Matt Clark and it was Aaron Ramsey own goal that sealed all three points yeah and we spoke about Cardiff needing to improve defensively at the start of the show when we interviewed Callum Chambers and it's good I mean that's a great stri well it's a great strike but it's obviously gone through bodies I think but um you'd expect you know the Defenders to get out quicker and close that space down and if you allow players of Championship quality that sort of time you're going to you're going lose games and speaking of quality B science three goals so far for him this season he could be big for the canaries couldn't he yeah definitely I think it's just taken a little bit of time for them to sort of find their way it's been a little bit of a disrupted man season new manager players leaving of course important players had the Johnny Rose Saga as well so I think once they settle down and get used to the manager we'll see a lot more of that so from the point of view of what you've seen today I mean it's a nice evenly spread Championship it feels like doesn't AR no it does I said that before at the beginning of the show it's one of them where you feel feel as if if you get a good run of it and you get a really uh consistent run of form this could be anyone's for the taking like you looking it now and you're looking it going I'm not sure who's going to win it I'm not sure who's going to be in the top six so um it's a really exciting um season I think we've got coming for us Okie doie coming up next on Main callor correction basic correction and creative lumetri color is good because it combines all the tools that exist and that all are similar to it in Premiere and then composes them all into blocks here we have these blocks basic correction creative curves color wheels and match hsl secondary and vineard they are arranged according to the application sequence let's start with the first block it's basic correction now I will display two of our main assistance on the limit Scopes panel waveform LGB and Vector scope y UV firstly we consider the input Lut if we look there will be different Lut look up table for different cameras L is a preset that allows us to correctly deploy the color that is on the camera when we get a picture from a professional camera the color may be covered by some profile we see a great image its information is located on the way from RGB somewhere in the middle the picture is pale and low contrast it needs to be properly deployed with a correct Lut with a correct profile if we choose a random setting of The it can be very interesting and we will want to start with this color correction perhaps but in fact this setting exists for different propose although they look like press looks but look and Lut are different things we consider look further where the drop down menu is basically similar we select the Lut in the first block now it's too early to look at it so let's leave it out next we have the white balance selector this is the kind of thing that allows us to quickly align the white balance it's available in other effects such as fast color corrector it was added to this panel relatively recently this is strange because it appeared in fast color character a very long time ago how does it work we use the pepet to select everything on the frame that we consider white in order to balance the whole picture relative to this here we have a picture with an obvious yellow color and it turns yellow so we can click on white and get a balanced picture with the white color that should be there we don't have to click on white we need to click on something that doesn't contain color information white gray it's better not to click on the black color because it will be problematic to balance it let's look at this video there are clearly problems with the white balance so we take a pipet click on the sneakers and get the desired result moreover it contains open information the sliders of which can be seen below it automatically builds the temperature and Tin parameters we can edit these parameters manually at our SC scratching we can manually determine the white balance and the Hue then we have exposure in general the exposure makes the image darker or lighter let's say we want to make this image darker so we lower the exposure while we're lowering it the entire RGB W from graph is lower in two that is not the best option in this case in general it's very good to show on the line like this we can completely reduce the exposure and our shadow is lowered accordingly at the same time the black color remains in place and we go to the plus you'll see that the curve doesn't go up but bends the graph works with black and white slightly differently when we lower the contrast parameter the pixels from the edge edes will move to the center when we increase the contrast the pixels will be Smur at the edges when we make the image more contrasting the graph will show that the pixels are more polarized between the edges the more they sprit around the edges the more contrasting picture is and vice versa the closer they are to the middle the more natural the picture is this is how the contrast works we need to double click on any place in the line in order to set any parameter to zero you don't have to just click on the center let's consider highlights shadows and midtones highlights occupy the top third of the graph midtones occupy the middle and shadows occupy the bottom third when we move the Highlight slider we can see that the upper part of the graph is more activated however the lower one is considered linked when we move the Shadows the lower part of the chart will move and the upper part will be fixed let's look here when you increase the highlights the upper half of the Curve will bend more the lower half will try to be fixed the Shadows get the same effect in the lower part the wies and blacks graph looks like this you see the clamp signal checkbox is not enabled so it shows how we move the curve Beyond 100 so it bends by the way this is the only way that allows us to try to return the information that went above 100 for example the cloud texture can have a value above 100 but we can lower the whites we won't be able to do the same with exposure because it won't go through this top where the information remains whites is the only parameter that can operate Beyond 100 blacks is the same thing will lower or increase the black color the rest of the line is more or less fixed we press reset to return all of our slider to their original position we have a mod like AO where it usually does what it thinks is right in this case it will mostly like pull the graph down and something like that no it didn't even completely lower it but made the picture a little darker and here too for some reason it thinks it should be darker but this is its taste I don't always agree with more precisely I always disagree so I never use alot and the last slider that is here is saturation we raise it all over it the image becomes more saturated or vice versa there is also a small secret here if we raise the slid to plus then it will raise to 200 and if we need to increase the situation even more we can set the value to 300 and get an even greater value 300 is the maximum for this slider the next box we will look at is creative there is a little more space for imagination because the look parameter is here we can click and choose wherever we like this or that effect or not it's completely inconvenient to use Mouse buttons so we can scroll through the drop down menus using the mouse wheel you won't be able to scroll from the very beginning because the value is none then if you try to scroll you get to browse where it searches looks on the computer they can also be downloaded from different places and installed in the program in this way there are a huge number number of them the next option to view the effects is here on the screen using the left and right arrows you can review the options without applying them to the video itself basically there are various dark room processes and cross processes as well a cross process is a process where a film claimed by one process is developed by another process for example codec film is developed according to the fu algorithm where different color Solutions are developed digital color correction appeared later so people stopped doing it but it remained as an effect let's say we found something we like we click right here the procet is applied for example this is looks but there is one problem with them because it's a closed thing a black box we can see how this or that process occured trying to reproduce it yourself is almost impossible if you are given a colored video and asked to reproduce the same effect then nothing can be understood because there are no settings for this process except for one there is only one setting intensity if we like the effect but not so saturated we can use this slider to lower the intensity and if there is no enough intensity we can bring the slider to plus the result is unpredictable usually we can do the following for simplification we align the image with devices and by I without adding artistic element we make the correct white balance Etc so that the frame are similar to each other then we put the adjustment layer on top and then put all the creative prets on it we do it in order not to repaint each frame in the look but simply change it to adjustment layer so we close it as I said this is a good thing but at the final stage when you have over frames aligned in color then you can do the artistic component of the video next we have the fade the film parameter let's pay attention to the graph it creates the effect of an old film it's always non- contrasting all pixels on Wave from RGB are in the middle there is no black and white the graph is compressed in the central part sharpen is a good thing that does the following it makes the picture sharper by increasing the local control see if we raise sharpen to the maximum we'll get this result here is a picture with sharpen and in the second frame without it so everything immediately becomes sharper all the wrinkles the Hair Etc are drone it increases the perception of a video but no few information appears in the video is the local contrast that appears where there is some color difference as soon as it appears we push the pixels together a little so the details become sharper of course this effect can save the video if it's short without Focus but it's impossible to sharpen the facial features this effect doesn't look very good on a female portrait Vibrance and saturation do almost the same thing but with a small difference both of these parameters increase the saturation of a frame if we look at the retroscope Y UV with increasing Vibrance our Cloud will spread evenly the saturation of every pixel approaches one specific denominator when we increase saturation our Cloud would stretch proportionally in which direction the pixels are then in the same direction they will stretch but further from the center no additional Cloud will appear as in Vibrance therefore this can be done differently for different tasks reducing the Vibrance to zero gives a different effect compar compared to saturation because here the color Still Remains but it's much less perhaps this effect will be suitable for your tasks why do we have it here we have it because our editing systems and photo editors have such a thing as Vibrance so it's also in Premiere next we have Shadow tint and highlight tint we can paint shadows and bright and dark places in different directions and vice versa for example the picture suits us but the Shadows are too cold so we need to make them warmer but most often it's used to move the highlights and shadows in different directions let's say that warm highlights and cold Shadows added internal contrast let's make Shadow tint cold and highlight in worm it turned out to be a bit of cinematic look that we're used to we won't say that this is something cool but we're used to the fact that films are painted in this way and the last slider is thin balance that changes the border between shadows and highlights if we increase it then the influence of this graph will be greater if we move in here we will have more influence from this graph by default this balance is in the middle Shadows are here highlights are here they act differently and spread in different directions for now we're done here