Mike Williams on the PTPop Podcast - Cultural Marxism and Pop Culture (Aug 2024)

[Music] hey there everybody PT pop here with all four loaves of my brain securely bound behind my back and welcome to another episode of PT pop a mind Revolution where I lead you out of the rabbit hole one green of Truth at a time today I've got a great show for you today I've had Mike on the show a couple times before he's had me on his show today we're talking with Mike Williams the extraordinary Beatles conspiracy researcher and he's known worldwide his presentations and interviews on the McCartney and the Beatles conspiracy have achieved over 5 million views worldwide you know I was just trying to different or draw the line uh connection between Tavistock adoro and the Beatles and just kind of break it down cuz if it weren't for you I I would have no idea either that person or that entity existed and um I've read more of the Billy shears book yeah and it's fascinating it's just fascinating especially what you see what's going on with the lies in our own government right now with the attempted Trump's assassination and the there different spins on that story and how they try to manipulate everybody and turn it into a thing so that that's kind of what I was trying to do with with the Tavistock and things like that it's all controlled Peter at the end of the day that's what we have to understand and I've been talking about this for a very long time there's very little if anything in our world in our reality that is organic or natural I mean your family is organic and natural if you have children and so on I'm talking about the interactions that we have with institutions with politics and the media uh the military Academia all of that stuff all of that stuff is completely controlled because there is there is an agenda there is a one world agenda and a lot of people used to think that uh that type of talk was from conspiracy theorists and tinfoil hat wearers and now what's happened is so much is being rolled out now by the controllers that they're no longer hanging in the shadows they're coming out into the open and they're talking about their plans and they're talking about where they want to go and uh I point people to the world economic Forum go to their website if you think what I'm saying is crazy stuff go read their website because they're telling you everything that's on their agenda and where they think they're going how did how did let's start with Tavistock how did what is that and you know where did it come from and you know I'll let you take it from there because I think that's fascinating Tavis stock is just a fascinating entity in and of itself we have to understand first of all that there is a a internationalist organization and structure that's what I try to explain that to my audience that whenever you see the word world or International in front of some organization that is part of the one word World controlling apparatus okay so as an example we have the United Nations United internationalist one world we have the World Bank we have the world Court we have the bank of international settlements we have the international uh international monetary fund we have organizations like um the world economic Forum the bilderbergs the trilateral the Council on Foreign Relations these are all deep State internationalist organizations that are controlling the world across all ends of the spectrum and they're run by billion if not trillionaires right they're the richest people in the world run these institutions yes so you have it's all it's all tiered so the higher you go up the pyramid the more shadowy and the darker these people become um as an example one of the uh a very powerful yet very secretive secret society is the black nobility so very few people know who the black nobility are who are members of the black nobility but they sit toward the upper tier of the pyramid so what you have is this system is run by a cultists so when I say A cultists I'm not just talking about Sorcerers although there are Sorcerers and witch CFT those types of things are involved what we're talking about is it's The Hidden Hand so a cult or cultism simply means something is hidden so we don't know about it so they go about their business with this Hidden Hand and what they present to the public is nothing more it's it's a veneer and they tell you that that's your reality yeah behind that veneer behind that curtain there's The Great Oz and there's all of these levers and buttons and all of these mechanisms that they're pulling and pushing every single day to manipulate the world to March toward their end goal their end goal is a One World Government one world religion and uh they have been at it for a very very long time and I've argued that uh really the International System that's in place today really has been alive and well um and really got a lot of traction after World War II it existed before that clearly but it was after World War II that they set their sights on the United States before world War II they were focused on Europe so it's divide and conquer so during World War I that's where they were focused on making the changes they needed to make uh within the uh the nation states in Europe and then once they got to World War II then the bullseye was on the US so you have um you have this clu of secret societies and I over simplify it uh by saying it this way but it's it's an effective way to explain it think of it as the overarching secret society is Freemasonry and then within Freemasonry you have multitudes of secret societies that work together and they have a common goal the common goal is to control it's world domination it's World control and the one things the one thing that the um the controllers are very good at that we the masses are not very good at is they are able to set aside their differences for the larger goal so it's not to say that they don't have disagreements and there aren't factions that have friction between them within the Pyramid of power but they're able to sit down and say okay look let's keep our eye on the ball let's get into the into the uh The End Zone and then once we're there once we achieve what it is we're looking to to achieve then we can sit at the table and we can hash through what our differences are and we'll get that result whereas most of the population does the exact opposite nobody wants to March into the end zone until all of their idiosyncrasies and their differences have been resolved beforehand and then hypothetically they will move forward but as you know since all of these different positions and ideas and thoughts and uh positions that people have can never be resolved satisfactory to everybody's satisfaction they're not going to move the ball forward again I'm talking about the masses in general but the controllers themselves are very very good at being able to set aside their differences and and move forward okay so an Tavistock is uh part of that that internationalist structure so it's really not that complicated just think of it as it's a world government that's in place and so the world government has its courts it has banking for the monetary system that has the United Nations well like every corporation they have to have their Marketing sales and propaganda arm right they they have to have that so think of Tavistock in that vein and their job is to social engineer the master to formulate the um the the execution of the strategies that either they develop themselves or the strategies that come down to Tavistock so above them there's the committee of 300 and um a great book on that and I highly recommend people read it is a book by John Coleman it's titled the committee of 300 the conspira hierarchy and Dr Coleman released this book in the early um 1990s I think it was 92 or 93 so it's about 30 years ago and what you'll find is when you go through this book it will hit you that he's talking about a level of control Peter that existed 30 years ago that will Boggle your mind and now it's 30 years later oh yeah it's also in this book where he talks about the Beatles being a creation of Tavistock now this book is not about the Beatles I always have to explain this to folks the book is about the committee of 300 and the controlling system the controlling Matrix okay but so so the idea of Tav talk creating the Beatles wasn't your idea you got you you were turned on to it by this book yeah so what happened was in the Memoirs of Billy shears going back maybe two or three editions ago there was a blurb on page 350 going into page 351 and I don't know if those words are still on that page anymore that's not be yeah yeah I think mine was maybe the 2018 Edition maybe I'm not really sure but Tom has made some updates to the book Tom you Harriet who's the author encoder so I don't know if some of the wording and the um the pages have shift around a little bit but in any case back when I the Edition I read on page 350 and 351 at the very bottom of page 350 I'll never forget this Pete The Narrative said that George Martin was going to take their little songs talking about the Beatles songs their little songs and make them famous and make them great and when I was reading the book I thought well that's kind of an interesting way to explain he's he's going to take their little songs so in other words the The Narrative was marginalizing the Beatles songwriting and then on the next page it talked about the committee of 300 and the snitch so I mean I knew of the committee of 300 and I'm looking at and I'm reading the the paragraph and I'm thinking the snitch well I knew that the committee of 300 was written by John Coleman I hadn't read the book yet but I had watched interviews that John Coleman did back in the day there's one in fact that I have on my main YouTube Channel I think it's it goes back to the late 90s maybe early 2000 and so I thought is memoirs talking about John Coleman in the book The Memoirs of Billy shears so I went and bought the book the committee of 300 and I read it and lo and behold there it was so there's about maybe eight to 10 mentions in the book about Tavistock and the Beatles And um Coleman talks about how Theodor Dono was heavily involved ah in the writing of The Beatles music so this is something that he talks about and again I I want to reiterate the book is not about the Beatles it's about the committee of 300 and the and Tavistock and the controlling system but because the Beatles are such a huge psychological operation they get notable mention whenever Tavistock was discussed in the book so so who is Theodore dno and what is his relation to Tavistock is there a correlation between the two yeah so the first thing we need to do is let's just back up and understand Tavistock and then we'll get into adorno so Tavistock was an outgrowth of Willington house which was the propaganda arm for the British military during World War I so Wellington house was responsible for coming up with all of the propaganda to their first order of business was to was to get the the British people to agree to build consensus to go to war with Germany and this was a very tall order because the British had no reason to want to go to war with Germany they viewed the Germans as their neighbor and they had no issues with the Germans and that was a big problem in the very beginning of World War I because the British were trying to March forward they were trying to instigate the war with Germany and uh the British people were stepping back and saying we don't support this it's the same thing that happened to the United States in World War II and Tavistock had their hands in that as well with FDR so Tavistock was given the mission or Wellington house was given the mission of getting the British people on board to build consensus to go to war and through a massive propaganda Campaign which included flyers and pamphlets saying that the Kaiser and his military were bayonetting babies and yeah all that stuff none of that stuff was true but it's the same type of thing we saw with the uh the United States during the Iraq War where they had the um the diplomat's daughter at the time and nobody told us it was a diplomat's daughter who said that the Iraqis were taking babies out of incubators and killing them that never happened either so it's a very similar story so so they built this entire propaganda program and uh it was it was highly successful and then once the war was over the uh Wellington house essentially just transitioned over to the Tavistock clinic now when it was the Tavistock clinic and this was 1921 if I recall what they were doing was taking soldiers from World War I who were traumatized from the war shell shocked and they were bringing them in for psychiatric evaluation and treatment very dubious so they basically had established themselves a base of patients or subjects that they were going to experiment on from a psychiatric and uh psychological perspective now this continued on for well for a very long time Tavistock again as the clinic was established in 1921 and they are alive and well today so we're in 2024 and what I've explained to my audience is Tavistock has been in the business of social engineering and mass mind manipulation behavioral modification for 120 years that's a long time to be majoring something so they uh infused themselves into the every facet of um of governments into politics into the corporate world into the military into Academia um I mentioned about um World War II with Franklin delanor Roosevelt his job too was to uh was to try to get the United States to go to war in World War II because before that the United States was not interested in going to war because at the time it was viewed as Europe's War we didn't have any business being over there so Tavistock deployed its agents one of them was uh Edward Bernay who considered the The Godfather of propaganda to the United States and um they started formulating the propaganda program under FDR to get the American public to enter into the war and it was the same thing we had all of these pamphlets and remember the movie shorts when people would go to the theater about the evil Germans and all of this and later on it was the Japanese this was all the doing of of Tavistock they have been at it for a very long time they are extremely good at it and uh if you go to their website it looks like motherhood and apple pie if you read it I mean you know just for the benefit of the world and yeah you know all that stuff but um when you get into what they're really about and let me just do this for the audience Pete there's two great books that I recommend for people who want to get acclimated and to get a baseline on Tavis the first one is this book which was released in 2008 it's David uh excuse me Daniel esten's book Tavistock the Tavistock Institute social engineering the masses and the other another book is another John Coleman book a fantastic book Coleman's exceptionally good at writing his books because he has 30 something chapters in here but he's he he writes his chapters very short and sweet he gets right to the point okay okay so it's not real dense he makes his points and then he moves on but this book Tavistock Institute of human relations shaping the moral spiritual cultural political and economic decline of the United States of America this is a very very good book and um another book leading into all of this because we're we're going to talk about cultural Marxism is another book by John Coleman who was very prolific with his writing and this one is titled the Rothchild Dynasty is co has Coleman passed on I I believe if he's still he's very old if he's still alive uh the last time I checked he was in his 80s and this goes back a few years ago so I try to locate him I try to get a contact for going back about I would say four years ago and I couldn't find anything his website was defunct um because he's almost the same age as my Mom Mom's 89 so you know he said what he had to say and you get older and you move on um so I don't know if he's still alive okay it would be cool to have him on as a guest oh it would be great for yourself yeah a wealth of knowledge but I could not find a uh a good contact form if somebody out there is listening to this and has a good contact for Dr Coleman and if he's still alive please feel free to uh contact me or Pete and uh we'll connect with him excellent so that's so that's Tavistock and you know I I went through it real quick and I have uh some notes Here let me just read this here um okay so they have far-reaching influence throughout governments non-government organizations otherwise referred to as NOS a lot of NOS operate through the United Nations the private business sector so this would be your corporate world public and private institutions mass media Global think tanks uh the military education and of course the music and entertainment industry so they have their hooks into everything everything yeah so the methods to overcome obstacles is social engineering otherwise known as brainwashing conditioning and indoctrination they look to reshape and redefine values morals beliefs and ethics and to create a new culture so the culture that most people live in today and embrace is pop culture so pop culture was delivered to us by tavar and the Frankfurt School from the cultural Marxist okay it's not our true culture our true culture would be our ancestral culture so as an example um I'm Italian and Welsh so from my mom's Italian side we would have Italian traditions and what the controllers have done was to erase and to get all of that ancestral and family traditions off the table because that's in their way they need everybody to be on the same page so yeah what what they look to do is homogenize society and the culture and pop culture does that so you know what's pop culture pop culture is Netflix it's hamburgers it's hot dogs it's beer it's ball games you know that's a far cry from our heritage and our ancestral culture um so they look to break down traditional structures we'll get into this so when we talk about traditional structures we're talking about family values beliefs um and institutions such as religious inst institutions they have had an allout War uh on Christianity because they need Christianity out of the way and we'll get into that uh in a little bit um the they Implement a diametrically opposing framework to the existing structures so this would be like the counterculture of the 1960s would be a good example of that free love drugs androgyny uh multiculturalism moral equivalency who's to say that that's wrong or who's to say that that's right everybody has a different perspective and we'll get into that too that gets into critical theory in the Frankfurt School just real quick I just want to mention that when when I think of the 60s and the hippie movement I was just a little kid I was like 2 three years old but when I look back in the history books it seems like it just appeared out of nowhere yeah and that to me and is is part of it they they engineered it to come in at this time when the youth was vulnerable spearheaded by The Beatles at first maybe it was Elvis but then the Beatles kind of blew the doors open right and everybody started growing their hair and doing drugs and then the hippie movement just appeared you know all of a sudden people got their hair down to their waist and they're smoking dope and and I just even as a kid I'm like where did this come from and why are people doing this and you know you I even questioned things when I was really little but I think you're you're getting to that I think it's kind of what you're learning too yeah it's all scripted and orchestrated it's engineered to happen and um and we'll get into that too because what we'll do is we'll talk about the Frankfurt School and then we'll get into the Beat Movement which was the precursor leading into the Beatles so everything has everything has a step on the ladder Pete they just don't dive into something so it's very incremental and it's very methodical how they go about their change because if they go about it too abruptly then people are going to turn around and say hold on a second what's going on here so they want to build it nice and slow so that you acclimate and assimilate and uh they've made a lot of advances over the years decadence is something else that uh is very very key to the Frankfurt School and Tavistock and cultural Marxism and of course they want to uh lower critical thinking and this is all done through your media and your television shows just to relegate people to just nonsense stuff um in um Daniel ean's book he makes some very good points and two of them that I just latched on to he said uh one of the things that Tavistock is really really good at is creating Cults and the reason why the creation of Cults is important because Cults have leaders and then you have cult followers so even things that don't seem like a cult are actually a cult as an example religion is a cult um following your bands like the Beatles yeah is a cult and people who follow certain entertainers and celebrities there's a cult mentality there's a pop culture so the word culture has the word cult in it and so they create all these different buckets and factions because they know that one piece is not going to fit all so they create lots of buckets and lots of Cults but at the end of the day they're all organized so that they these Cults with their cult followers March in the same direction even if it's not obvious but if you take a look years down the line you're going to see hey they're all turning this way right and we'll get into that in a little bit as well um The Common Thread that we'll find with with Tavistock with the Frankfurt School and cultural Marxism is is a Common Thread of oh the other I I'll mention Tavistock in a second I said there was two points at uh Daniel lulin made let me go to that now the other point that uh Daniel made is Tavistock looks to relegate the adult mind down to that of a child's thinking so that's where we lose the critical thinking faculties everything becomes very um based in emotions very reactive people are not thinking rationally and logically they're not listening and to a point counter point they're very reactive they're very emotional and lot of time a lot of times what happens is they lash out they become angry and even there's times when it resorts in violence it's like a tantrum like a child having a tantrum it's like right they're having a tantrum and one of the reasons why they love this is because and we see this now taking place in in the UK in England where they're having all these riots all of these riots that are taking place they've all been orchestrated and instigated with agent provocators because from the controller's U mindset the more out of control something is the more they can come out and say we have to Institute control so yeah they'll right it's problem reaction solution so they create the problem the solution's going to be uh reaction's going to be people are are very upset and angry and they're distraught and they're nervous about what's going on with all this violence and then they present the solution it's like oh well you know what you know we could squash this we will need more surveillance a bigger police State uh this is you know and this is why we need things like uh digital ID passports so we know that you know who everybody is and this is why we need facial recognition software yeah right so they create all this stuff and um so I was going to say the Common Thread with all of this when we talk about Tavis Frankfurt and cultural Marxism is there's a psychological piece to this behavioral modification as I mentioned before and Hedonism so those two things go together behavioral modification psychological manipulation and Hedonism or decadence because the Hedonism and the decadence what that does is that breaks down Society breaks down Society norms and from the perspective of the controllers this is uh they view this as an alchemical process so in order to bring about the new you have to eliminate the old or the existing and this is a tenant that Crowley teaches as well he talks about in order to bring in the new nothing from the previous can exist so under so undermine the Christian values they turn the population into henness so we focus more on self-pleasure pornography sexual gratification F drugs and we become so immersed in that it's it's a form of control and and then they can do what they want with us um yeah you're you're leading to that but that's like I've seen it firsthand with I look around me like everybody's wrapped up in their Teslas and their there's a Dunkin Donuts that opened up the street down for me uh we've got two Dunkin Donuts now for some reason let the line of people was down the street on the sidewalk for donuts and coffee I'm like why I mean but because they just think it's just it's just donuts and coffee but that's a whole another thing but it's kind of the same thing they distract us with sugar and fast food and food deserts and things that's the pop culture yeah yeah exactly no you're you're right on point because we had a similar situation going back a few years ago when they opened a crispy K cream in my town and I can care less about Crispy Cream Donuts yeah they're Donuts right and and they have coffee so what so does in 500 other stores yeah yeah right within the vicinity and it was the same thing Pete there were people lined up you would think that they were handing out money oh yeah yeah and I could not believe the line all around the Crispy Cream and this is the this is the problem yeah it was it was unbelievable it was the same thing and this is the problem that we have with society and the problem is very few people take the time to step back and assess it because they're so wrapped up in all of the materialistic um goodies that are presented to them on any given day like you said whether it be Donuts uh whether it's going to be TV set or the new phone or uh the new car whatever people are completely caught up in this materialistic world yes yeah and what that does is that pulls people away from their spiritual connections you know and we've got to the point now where a lot of times when we talk about spiritual connections and when I'm talking about spiritual connections I'm talking about connection back to Source the Creator God back to the Divine understanding more about metaphysics your contemplating what your purpose is in life why are you here were you are you actually here to stand online at the Crispy Cream because a new store opened up is is that really why you're here so they don't want any of that because they don't want people philosophizing they don't want people being introspective um they don't want any of that stuff they want everything to be at a very basic um at a veneer like I mentioned before very topical and just to go about your homogenized life and just go with the flow yeah don't stir up any problems so anyway so that's Tavistock and um going through some of the attributes of what it is that they bake into um into their agendas and into their initiatives you know the Beatles were a psychological operation a massive psychological operation as was the entire British Invasion now Tavistock is out of London and there's a there's a good reason why they refer to the British Invasion as the British Invasion it was because it was the British secret societies along with secret soet societies across the world including those here in the United States who were looking to um to usurp the current system and to begin the process of breaking it down and implementing their their one world order now let's talk about um the Frankfurt School and that will lead us into Theodor Doro okay okay so so Tavistock originates out of Wellington house and there's a history before that as well but I won't get into that we'll just start with Wellington house going forward that's 120 years of History I think for the purposes of our show that that'll suffice yeah um the Frankfurt School was um established in 1923 so think of it as uh two years after Tavistock formed the Tavistock Clinic coincidence no not really um I should also mention that Tavistock um Sigman Freud was their poster child and I mentioned Edward Bernay was also part of the U the tapiso system now the Frankfurt School was not a school in itself it was really an adjunct to Frankfurt University and it was comprised of marxist intellectuals at Frankfurt University in the 1920s and the 1930s so think in terms of you had this uh think tank of marxist intellectuals that were operating for about two decades and when we talk about the Frankfurt School uh they're connected at the hip with Tavistock as is the Fabian Society which was another which was another secret society out of Britain that was closely Al aligned with the Frankfurt School with Tavistock and all of these other uh secret societies and um these organizations that were looking to implement a one world order and many of them like the fabians were into Eugenics big time as were the Frankfurt School group too but the fabians more so based upon my research they were heavily into the concept of eugenics or depopulation so when you read about the Frankford School of course when you go to Wikipedia and you go to any of the online mainstream resources again it's like it's like tavistock's website it's going to read like motherhood and apple pie you're gonna be this doesn't seem so bad you know and they're going to talk in terms of being altruistic um an egalitarian world where everything is is equal there is no class structure um this is the type of stuff that you're going to read so the question you know when I was reading all this and I then I was reading the you know the books that were really digging in the question I asked was well is it was the Franklin School really altruistic and egalitarian or they gaslighting us and I came to the conclusion that uh it was a lot of gaslighting so one of the um the approaches that the Frankfurt School was engaged in uh is to make people think illogically so if I say black you say white if I say left you know they say right so if I say the sky is blue they'll say no it's really not it's green yeah right and the objective of the Frankfurt School and a lot of these Elite organizations was to continue to push that type of um dialectic in order to slowly get people to question their own logic and ability to reason so uh bertron Russell who is a British elitist he died in the 1970s uh a big-time One World New World Order type um here's a quote the objective is to produ to produce an unshakable conviction that snow is black and that's what I was talking about now what the Frankford School the way they looked at that and said well if we get to gray we win so beron Russell is saying if I can get you to to think that snow is black the frankfurt's were saying we'll settle with gray because once you think that snow is Gray we've won yeah we've won right the war for the mind they do it all the time on the news all the time well if we go to the whole thing with transgender and telling us that a child's genda is not defined when they're born that they have time to decide that that's a perfect example of what we're going to get into which is critical theory from the Frankford school that's a perfect example of of of telling people that snow is black or that men Could lack yeah it's the same thing yeah so there were four there were more than four but there were four primary players at the Frankfurt School there was Max horkheimer Theodor Dono Herbert Mar marcuse and Eric from and they were all cultural marxists and they they had a different approach to Marxism Pete than what was experienced before so during the Russian Revolution which was really the Bolshevik Revolution during the World War I period in Russia that was Lenin Marxism Lenin Marxism is denoted by violence so they're going to achieve their goals their Marxist goals worldwide Marxism by implementing war and violence so they're going to take the we're going to hit you over the hammer over the head with a hammer approach to be able to get Marxism at a worldwide level well the Frankfurt School cultural marxists horkheimer Dono maruse and fromom these guys turned around and said bad approach because you're not going to win anything that way you can't do it through violence so you have to you have to subvert from within so it's a it's a much more incremental and methodical approach to do it this way but it's in the end it's far more effective because people won't even realize that they're being subverted and command deared they will just go along to get along and a decade or go by 20 30 40 50 60 years and before you know it you're in a completely different system because because people completely lost perspective on the Baseline they don't remember the Baseline anymore oh if we take a quote from Max horkheimer and I I pull this um a while back this comes from Henry macau's website and by the way Henry is Jewish those that you know dorno was too right yes they all were they were Jewish cultural marxists this is something that um people don't like to talk about it because whenever you talk about the Jewish control system people recoil yeah yeah and they call you a Nazi you know and there's no reason to recoil because it is what it is it's there's no problem with saying um you talk about a Catholic control system or you talk about Christianity or you talk about Hindus or Buddhists but if you say the word Jew or Jewish people get really nervous and like I said they recoil so max horer said the following this is a quote and horim was one of the leading Jewish marxists of the frankfur school which pioneered cultural Marxism the Revolution and he's talking about the Marxist Revolution won't happen with guns now remember I was saying it was saying hey Lin had it all wrong with his guns and his violence rather it will happen incrementally year by year Generation by generation we will gradually infiltrate their educational institutions and their political offices transforming them slowly into Marxist entities as we move towards Universal egalitarianism so they keep talking about you know Universal egalitarianism but that's really not what they're talking about I mean really it's it's to pigeon hole um the population the masses into a one world Marxist State that's what they're looking to do and um interestingly interestingly enough back in the early 1900s this document came out it's called the protocol of Zion and I've had this for many years um it's not easy to find on the internet anymore because they don't want anybody reading it okay but what it is is it's it's a document which is basically the game plan of the Jewish marxists and how they're going to go about changing the world and as an example I'll read only some of the bullets here not all of them okay place our agents and helpers everywhere take control of the media and use it in propaganda for our plans start fights between different races classes and religions use bribery threats and blackmail to get our way use free Masonic lodges to attract potential public officials appeal to successful people's egos money appoint puppet leaders who can be controlled by blackmail replace Royal rule in other words monarchies how old is this document how old is it this goes back to I think it was 190405 okay all right so let's just say about 120 years ago yeah okay I'm not gonna go read through all of this it's not a very big document but everything is here now when you read it you're going to see the game plan on fold right before you and you're also going to see that a lot of this stuff is already well underway if not already baked into the into the cake you know yeah uh some things are still an open switch but uh it's very important for people to read stuff like this because when you read the protocols of Zion and then you get into the Frankford School you quickly realize that they have the exact same ideology the exact same ideology so they must be working together yeah yeah so it's part of the same thing it's a long term ideology that has been in place for a long time um by Communists and and communism is a Jewish ideology a lot of people don't know that either um but it is so now with the cult with the um Frankfurt School they came up with what is referred to as critical theory ideology so the critical theory divides the masses into two categories okay oppressors and victims so just think about that today what do we have we have oppressors and victims that's always the battle it's always somebody fighting the oppressors or the man and that goes back to the 1960s yeah okay um and they always put a hero in the mix that's going to come and save you from the oppressor right I know if that's part of it but it seems like there's always a guy in a White Horse there's always a guy going to come Galloping in to save us all from yeah yeah exactly Elon Musk exactly okay these are the guys that are going to ride in like you said Pete on the White Horse yeah and and they're going to they're going to do battle on your behalf you don't need to do anything you know you you you can tweet all day long that's fantastic continue to tweet if you're allowed but El and Donald Trump and whoever else let them take the the bad guys on yeah exactly okay and folks what you have to understand is all of these people musk Trump they are all part of the controlled system they're all part of it the very system that oppresses you is not going to magically become unpressed and free you it's just not going to happen okay I completely agree yeah their their their premise is to keep your head in their system so the political system is I mean the political system is a uni party it's one system and they play they play off of each other as if there's two distinct factions out there but at the end of the day they're one and the same with the same goals and I've explained I've tried to explain this to many people Peter over the years we did not get to where we are today with the system um because two parties were fighting each other two parties were working together with each other behind the scenes to move the ball forward while giving the perception that there are differences well if if I'm if I'm not mistaken our original government back in the 1700s was there were there weren't parties I don't think George Washington was a Democrat and Jefferson was a republican I don't think they even they they did I don't think they believed in a a party syst system back then yeah yeah you might be correct I'm trying to remember going back I did some reading about that years ago but in either case what we have today whether they had parties or not back then today it's just one it's just one big Club yeah and and we're not in it um I mean just just take a look at everything that goes on all the crimes that are committed um and nobody's held accountable oh exactly nobody's held accountable so critical theory which came out of the Frankfurt School again divides the masses into two categories oppressors and victims and the attempt was to destabilize society and to destroy the quote oppressive order so one of the ways they did this was through feminism so let me give this example so they want to eliminate the traditional family nucleus because that's in the way of this one world communist state and so what they did was there was a two things there was a war on man on the male and it was also a war on women and people think a war on women yes so going back to the very beginning of time the traditional family nucleus consist consisted of the husband or the Father which was the provider and safety the Hunter and so on provider and we had uh the wife or the mother who would take care of the children and maintain the home and so there was that Synergy yeah and it's traditional and it's not just traditional here in the United States it goes back through the beginning of time through all cultures sure now some people might want to argue that in certain family Dynamics it was it was you know somewhat different that's okay it's okay if it's somewhat different as long as the balance is reached and there's agree there's an agreement between the man and the woman the husband the wife or whatever that that's how they're going to work it but the cultural Marxist the Frankford School were not interested in a balance they weren't they weren't interested in an agreed upon dynamic so what they did with feminism was they turned around and they went to women it was a full-fledged propaganda war on women and they said to them look um you know why are you home taking care of the kids why are you doing that why are you interested in taking care of the of the house why are you know why are you doing that as your husband gallivants off to work and uh he's making money and he's able to go traveling or whatever you know the husband did for a living so what they did was this is the this is going back to the the bur and Russell uh quote where they're going to convince people that snow is black critical theory basically is gaslighting it's getting you to believe something a belief that you have is not a valid belief because a lot of women back in the day would were saying well look I'm perfectly happy being home taking care of the household caring for the children I'm I'm perfectly satisfied with doing that so a lot of so a lot of women were pushing back on this and they just kept at it and kept data and kept data and that's when they started with women's lib and um getting women into the workplace because as soon as they were able to do that that allowed uh the the family to begin to disintegrate that the mother was out of the house um the father was out of the house because he was working that would lead to the children going to preschool care going to school during the day uh after school care so the children then had limited interaction with their biological parents essentially almost becoming Wards of the state um and so there was now influences on the children where the kids can be conditioned and propag propagandized with curriculums whether it be in school or outside of school to start to shape their minds and the other thing that they did was in order to get the women out of the the ladies out of the house was to create an economic and financial situation where it became so expensive to be able to uh to own a home right because back in the day when I was a kid my mother stayed home she cared for the children dad went to work and in fact dad had basically two jobs uh one was like a a part-time job but had a full-time job and a part-time job but we had a nice house on Long Island we were you know basically Blue Collar middle class and uh we were able to live that way but then as time went on future Generations could not afford to have that type of home on one income no it couldn't happen so that's that's the other thing that they they did so they have multiple levers you know they have levers where they're just psychologically you know screwing with people's heads and telling you do you really want to be a mother do you really want to you know watch kids do you really want to go to PTA meetings do you really want to do this don't you want to be in the workforce don't you want to make the same money and then while they're doing that they're altering the economic and financial landscape to make it necessary for the woman in many cases to have to go to work and if you look at the condition of our country just in United States the violence and the kids that are killing each other and shooting up schools and how it's just had this horrible effect because there's no parent there's nobody at home now right both parents are working the kids are are losing their minds um and you can see where it's headed they're they're they're trying to steer us towards okay things are too expensive now I I have a feeling they're trying to push us towards this socialistic economy where the government takes care of everybody yeah and we're all just like oh okay yeah if you want to give me a couple thousand bucks a month I'll be fine with that but that was just a a thought I had there no that's that's exactly where they're taking this Peter they they're taking this to to the point where look at the end of the day Eugenics did not go away so depopulation is a a very big item on on their agenda we'll talk about that in a little bit because it's getting to the point where people are no longer a lot of people are no longer productive in society they're counterproductive they're into decadence um they they're into inan activities you know so they're not contributing to the benefit or the health of of society or the culture they're not contributors no so uh and this is being done by Design and at some point like I said you know we're going to see declines in the population that's my personal belief and I I think the March 2020 event was uh a way to kick that off so critical theory dissects existing societal beliefs and criticizes them in a way to redefine existing beliefs so existing beliefs values and morals which were imposed by governments religions Etc as oppressive thus inhibiting human potential so they criticize it saying that the reason why you believe what you believe and you do what you do is because it's it's been imposed upon you by governments and religions it's not because it's not because it's inherent to it's not instinctual to your thinking it's because somebody told you you had to do it that way now that's not to say that there are things that we told have to be a certain way but it's also not the case that we don't have instinctual feelings and understandings of how of of right and wrong as an example of what's the right way to raise a family and the right way to raise a family is to ensure that we have as much attention at home as we possibly can with the children and the proper education and to be taught proper etiquette and manners and for the mother and father to be very good Role Models now I know that you know that's um that's a tall order because everybody's different and everybody has different experiences with their families you know myself included but that's the premise I mean that's really what we should be striving for we should be striving for that we we should be striving for a more intellectual more philosophical a more um a society that is based more on um going with their Instinct instincts their god-given instincts and reasoning then all of this crap that's just being funneled through our television sets and dumped into our living rooms and just dumbing everything down so so that's the thing so again victims and oppresses so with with critical theory and the Frankfurt School the oppressors are the government it's the fascist State you'll hear the the Frankford School talk about fascism all the time madono talks about that he says that um at work people are producers at home they are consumers that's the result of a capitalist fascist State now there's a lot when you when you look into Theodor oono there's a lot that odono says that I mean it makes sense it resonates to a point but then you have to take a step back and say okay well Ador said the following things I I'll take you through some of the things that he said okay okay but then you have to lay it up against okay he said that now where are we today so what he was talking about didn't really transpire it didn't so was he gaslighting us at the time or was he a person that had was altruistic in a way and you know let's just say I'll play Devil's Advocate that he didn't have the full uh understanding of where things were ultimately going down later on down the line decades down the line so maybe at his point in time when he was talking about this stuff he actually believed this stuff and he thought that maybe he could help move Humanity in a in a in a better Direction maybe okay so I don't want people to go all nuts thinking I'm defending the Frankfurt School or Theodor Dono I'm just saying that you know I wasn't there I wasn't in the man's head all I could do is read the things that he said and I could build a case to say that maybe that's where he was at although I can also make a case that says now 20 30 40 50 years down the line the stuff he was talking about really didn't transpire so so he was part of the Frank for school yes okay Dono was part of the Frank with school with Max horer who I read that quote before another guy by the name of Herbert maruse and Y also Eric FR we'll talk a little bit about adoro in in just a moment here so the Frankford School recommended the creation of racial divides continual change to create confusion and we see this all the time so going back to something as simple as masks work masks don't work masks work masks don't work this was the uh the fouchy bit yeah right going back and forth this is creating confusion yeah teaching sex and alternative sexual Lifestyles to children that's that's we see that in Spades today undermining the authority of the schools and the teachers promoting excessive drinking and drugs emptying the churches again this is the war on Christianity in Memoirs it tells us that the Illuminati or the controllers uh declared war on Christianity on September 11th of 1962 that's when they formally put the stake in the ground and they said okay we're going to dismantle Christianity um the Frankford School advocated uh creating an unreliable legal system with victim bias uh dependency on the state controlling the media to dumb down and encouraging the breakdown of the family um they promoted pansexualism and this goes back to the cult of pan and when we talk about promoting pansexualism we're talking about the search for pleasure and overthrowing traditional relationships going back and breaking down the family and the traditional relationship between a man and a woman and their children they also uh were Advocates of marginalizing the role of the father so they wanted to abolish male quote dominance because men oppress women that's that's their propaganda men oppress women and so therefore it's again we're going back to the oppressor victim yes right discussion yeah uh they advocated removing the parents as the primary Educators we talked about that and Opus skate the difference between genders in fact there's a quote by Eric frm who was one of the members of the Frankfurt School and he said um he was an active advocate of the matriarchal Theory and he was quoted as saying that masculinity and femininity femininity he claimed they were not reflections of quote essential sexual differences so masculinity and femininity were not reflections of essential sexual differences as the romantics had thought but were derived in instead from differences in life functions which were in part socially determined okay again so we're back to snow is black this type of this type of thinking um they also uh said that the use of Music can be used to promote mental illness and Destroy Society yeah verses or lyrics that were set to music and repeatedly in toned are very effective So lyrics that were repeated over and over and over again was a form of hypnosis it was a form of indoctrination and brainwashing adoro had said that they could promote a culture of pessimism and despair via radio and television and this is something that we see all the time anybody who sits down and watches the cable um news networks like CNBC MSNBC Fox News CNN and so on nothing ever positive oh yeah comes out of that screen ever ever everything is pessimistic everything is violence and War and upheaval it's it's it's done to create Stress and Anxiety and worries in your life now about adorno you you've touched on him a little bit here but in his studies his published studies on the surface he claims he was anti-pop culture yeah he was a um an avangard musician that wrote a tonal music not pop music right so they portray him on the surface as being against all this stuff right when in fact I think he used this this is my theory he used this stuff in conjunction with the Frankfurt School and Tavistock to alter Society yes because he was aware of the psychological implications of music and all the things just mentioned right so what he did was because that that question comes up a lot um people will say well adoro was not a a a fan of U of pop music or Jazz um what he did though was he leveraged that music to push forward the Frankfurt school's cultural Marxist agenda this quote egalitarian endstate that Max horkheimer was quoted as talking about so so if we take the Beatles as an example so the Beatles started off very pop oriented right they beginning their early songs going back to please please me and with the Beatles pretty much straightforward rock and roll but if we take a look at the evolution of their music from please please me which was released in March of 1963 up through let's just pick revolver their seventh album and we take a look at how the music moved and changed in sophistication that in my opinion that is direct that is the direct influence of Theodor dorno shaping the music to move it into a certain direction so that it will support the culture Revolution so it could support the counterculture and it and it moved into more of an atonal lot of Lenin and well Harrison too moved into more of an avanguard genre and very strange and out of the you know out of left field type of music right whereas Paul and Ringo well Ringo is not really a factor Al together but Paul's was still his his progession and got more um orchestrated and and elaborate right right and and if we go to um like Revolution number nine when you think about that that's Avent guard a tonal in a way that's a collage of stuff yeah yeah right and then you got lennin in his uh his solo career uh with yokono and the event guard and really again atonal types of it's in that it's in that realm of a tonal it's it's just it's not tonal it doesn't have a core it's all over over the place so folks if you're not familiar with a tonel music a best example would be uh listen to an old horror movie with the piano was just all over the place I'm just you know yeah oh yeah right that's that's a good example of a tonal music if if you want a good example of making everybody think things are black Yoko Ono's music and John L Yoko Ono's music for the life of me they've been trying to convince me right as I was a child that her screaming to a microphone is that is where it's at when it comes to Avant guard and um and I'm like there is no way you can ever convince me that a woman screaming to a microphone is music but they they're they've desperately tried to tell us that music like that is music I think that's just an example to pull the beetle beetle crowd in a perfect example that it's a perfect example and and um it was even lennin was uh advocating that pushing you know how brilliant she was and that she was ahead of her time and very few people really understood Yoko Ono's genius it's the same thing Pete with um the CIA created um Martin art they knew that Martin art was just a bunch of nonsense so if we just put you know a a a canvas up and somebody throws three dots of red paint on it yeah right and you're told that that's brilliant and and people would look at it and stare at it in museums and go you know just those three dots are just I don't know how he did it well yeah yeah that was the CIA that was another psychological operation to get people to think irrationally because a rational person would look at a white canvas with three dots and say are you kidding me that's a white canvas with three drops of paint on it I'm moving on I'm going down to you know to the diner to get a sandwich yeah um but it got people into this mindset where they were accepting irrational illogical situations and presentations and embracing them well so so adoro so adoro when you think about what adoro you know and I do believe adoro was um at the he was in a position a very very influential position with the Beatles music uh working with George Martin I think if I had to say that the way I think the organizational structure work I think George Martin reported in to Theodor Dono that's how I think it worked that's you know that's just my opinion and so when we think about um what we were talking about before the progression of The Beatles music starting with Please Please Me with the Beatles very basic stuff and then you start getting into help and then revolver um you know in fact with revolver um the take on that was you know now the Beatles are moving more into music that doesn't make you move it makes you think it's thinking person's music and then of course we get into um that's Rubber Soul I think I should I said rubber Sol I hope then we get into revolver and then from revolver of course we get into Sergeant Pepper but that was all table setting and Sergeant Pepper of course kicked off the psych psychedelic era and drugs free love and anytime there's a discussion about the Beatles a documentary and I know you can attest to this they will almost always talk about how influential The Beatles were to culture change oh absolutely so it was everything it was the music uh it was the way they dressed it was even the way they spoke um and Tavistock creates all these genres Pete as as you know and um even if bands were not in on the um on the SC per se in other words bands were signed or recruited the thing is they operated within that genre's parameters so in other words let's just say classic rock as an example so they would come in and they operate they play Within that genre of music classic rock or the British Invasion it's a process of emulation so they didn't actually have to be schooled in what they the end game goal is of the new world order or the or the control system the one world order a lot of these bands they were put in a position where they emulated the style of music they emulated the lyrics they emulated the singing They emulated the way the music was presented whether it be the way they dressed or the way the album covers were reflective of Ault symbolism and stuff like that because I get that question a lot too people will say well you every sing band was you know signed on a dotted line on this thing I said no not every single band they were there were key instrumental bands that were leading the way and yes they were in on it but but but you have to like most people don't know when you get signed to label the label takes over and tells you how to dress yes they tell you what songs are going to be in the album they tell you what key they're going to be in I think the big producers who are run by something else right manipulate the sound to make it more that's absolutely right so yeah yeah the the labels are all tied into the know the music and entertainment industry it's all controlled the music and entertainment industry is controlled from Cradle to grave from beginning to end so if you're going to be in that system one way or another you are going to lose your voice you are going to lose a a level of your creativity and your Vote or your voice in what goes on because at the end of the day they're going to present it this way look this is a business it's our business and we're going to tell you how you've got to put this together because yeah whether you like to hear it or not Mr or Mrs band or artist you are a product and so you know so a lot of these entertainers and these musicians and these bands they go from this whole like you know well we're musicians and we're all about creativity to being hold directly or indirectly by the music industry by the labels your a product it's as simple as that and um and at the drop of a hat they will bring in whoever they need to bring in musician wise to to record on the track so if you know if you're the guitar player in the band and you know you put a guitar track down the producer sits down and says yeah I don't think so I I I've got a guy that I want to down that guitar track because he or she's a much better guitar player or I worked with them before maybe it's just a matter of I've worked with them before and there's even you know this it's interesting because there are even people who have YouTube channels who are in you know music YouTube channels and they're producers I'm not gonna say who they are yeah I know I know some of them yeah yeah and even I watched their shows you know because I I love the the musical aspect of it as a musician yeah um but even they have said that they have brought people in to re-record tracks they've hired other musicians they've hired songwriters to write music for a particular band so that they can create content for their for their albums or whatever it is they're going to release so so boy really got off on the tangent there I didor but that's okay but but what adoro did was used The Beatles he leveraged them right so he leveraged the existing system if you will the existing pop music and it was very ingenious him and George Martin what they did was very genius they they continued to evolve it over time until it got to the point where it was extremely effective in changing societal Norms in creating culture change let me stop you so how did say let's say Martin reported to dno initially Martin didn't like the Beatles he didn't like their music he thought they were crap R so so they decided somehow they blackmailed Martin or did something got him but but how did they know this was going to work and become the phenomenon that it became that's that's what did they see something in these guys and their sound no make the sound the decision was made the decision was made several notches up the chain so uh I think George Martin uh started working with Emi parone in 1955 and by the time he was 29 years old he was handed the label to run the parone label parone um is a part of Emi and initially I'm I'm not convinced that George Mar was brought into the loop as to what the Beatles were going to be used for initially because the way it works Pete it's all compartmentalized it's a need to know basis so there are people that were developing all of this above George Martin that were formulating um how they were going to make major changes in society through music so you know so the Beatles the four the who went well couldn't have been the initial four but the band may have been handpicked even when they were kids right yeah when they were first musicians said hey these four guys that come from this background Lenin's perfect to manipulate his mind because he had trauma Paul had trauma he lost his mother to breast cancer I think they look for broken people Ringo had been hospitalized as a kid he was kind of Shattered by his childhood being so sick could it be they look for people that were very susceptible to um a suggestion yeah yes and um and families that are somehow uh connected into into the system oh okay okay so um now interestingly enough if if you go on the internet and you try to find a lot of information on Paul McCartney biological Paul McCartney's father uh Jim McCartney you're not going to find a lot which is very strange because here we have the father of one of the most arguably one of the most famous musicians of all time yeah and there's essentially very little on Jim McCartney No now in Memoirs it tells us that Jim McCartney was steering his son away from Christianity so that's a little hint there that something was going on now um I'll get back to this in a second here okay but you're on a good point especially like with Lenin Lennon had a lot of trauma he lost his mother he was raised by his Aunt Mimi his father Freddy was nowhere to be found a lot of people also don't realize that John lennin really had a uh a a dislike for Christianity early on in his life there's some stories in the book um the lenon prophecy um it's it's a book I read um the author's name is uh Joseph neod and some of the stories that um Joseph relays in his book are actually quite disturbing as far as Lennon's uh dislike uh for Christianity we also have these and I've mentioned this on a number of shows we have these images of The Beatles primarily Paul McCartney George Harrison and and John Lennon associated with bird cages now bird cage symbolism in Illuminati speak refers to mind control mind control subjects so I have images where Paul McCarty and George Harrison have the bird cages on their heads and then I have another image of John Lennon in a Superman shirt leaning up against the side of a bird cage now the Superman shirt is interesting because that goes back to Crowley and that goes back to nii and it's referred to as the Uber mench the Superhuman and this is something else that the controllers are very much into the development of the Superhuman the trans the Transcendent human and Superman was written here in Cleveland by two Jewish men yes and it's it's it's basically a Jewish story of I can't remember the exact story but it's nothing it's nothing about Krypton and all that stuff it's about Moses or something it's it's symbol a lot of Jewish symbolism in in Superman that they don't talk about but I'm sorry go ahead no that's okay so so we have to so when I when I see this type of symbolism what comes to mind is that the Beatles in all likelihood going back to your point they were in it's it's possible they were in some kind of program early on in their lives and that they were being handled and groomed of course now when you're a young kid you're unaware of this stuff but you are being handled and you are being groomed and you and you are having experiences and you are doing things which culminate to a certain point in your life when the switch is thrown and you're brought in for the next phase or the next stage of what's going to go on and so I believe there was a whole phase with the Beatles being groomed and handled prior to going to Hamburg and once they got to Hamburg that was another phase or another stage of their grooming and their handling I mean when we we when we think about um they connect with um Stuart Sutcliffe right had or told had a relationship with astd ker the photographer well she connects up with the Beatles I think it was in um late 1960s and she starts taking all of these artsy uh photos of The Beatles but back during that time period when the Beatles hit Hamburg back in August of 1960 they were they were a non-entity they were not good musicians they weren't writing songs so I see this again as table setting this is the type of thing that takes place where certain people are introduced into the equation in order to create the backstory right it's the same thing with with Claus Warman yes okay um and if we take uh if you want to pick on another band um um Tom Petty I remember watching a uh a documentary on Tom Petty when when Petty was nobody there was still all of this footage video footage film footage of him when he was not on anybody's radar so who was like why is somebody following him around yeah filming him when you know the chances that he was going to become famous is you know is like anybody else I mean it's it's it's it's a million to one shot right I mean I'm talking about from a from a a public perspective of course if he's on somebody's radar it's not a million to one yeah so you have to start asking yourselves that question Gordon Lightfoot was another one I remember watching a documentary of Gordon Lightfoot and when he was up in Canada and he was doing his shows in these in his bars and doing his gigs there was all of this uh film footage of him Peter and uh really Ry types of uh footage where they're shooting from the ground up c yeah certain angles and you know I was watching this with my wife and and the question we ask ourselves is who's filming this and why are they filming this so this is the type this is the type of stuff that we see and it's difficult for a lot of people to get their heads wrapped around because people just can't think in terms of that much planning that far in advance but there is that much planning that far in advance and like I said because many times the families of these people are somehow or usually tied in to the system into the military as an example into intelligence exactly you know so anyway uh boy oh boy I really uh took us off on a little ride there I took you off the trail you're on so anyway so I I think going back to what you were saying about adoro yeah he wasn't a fan of pop music and all that stuff but he was leveraging it he was leveraging it um in order to be able to push the agenda forward he was not going to be able to okay push the agenda forward by coming out with a tonal music and then trying to get people to enjoy enjoy it like it play it buy it that was never going to happen a total music is very very difficult in my opinion to enjoy it's very it's it's it has a lot of tension a lot of stress it doesn't have moments of release and so it's not anything enjoyable to listen to so what he did was he leveraged the existing system to push the ball forward now frankfurt's Network extends into Eugenics I talked about the fabians before population control sexual and family law reforms um it's linked to publishing houses medical and educational and research establishments women's organizations marriage counseling governments Etc so the Frankford school like Tavistock are embedded within the very fabric of our institutions within society and the Frankford School in Tavistock are uh connected at the hip as well as Tavistock was also a highly financed still is to this day by the rockafellers and the CIA is one of tavistock's largest clients wow I didn't know that yes so again folks um these books Coleman's book on Tavistock he goes through a lot of this and Daniel asin's book um I can only do so much as far as uh taking you through this stuff but yeah so that's the deal with um with Theodor Dono um I've struggled with adoro a little bit Peter because like I said was this piece of him was there this piece of him that was there was a an altruistic aspect of him where he actually thought that he was going to somehow achieve the the goals of the human potential movement of the 1960s with Willis Haron who was another uh was a peer of Theodor donos and Willis Harmon was behind the human potential movement and the the Aquarian conspiracy uh the Aquarian conspiracy was uh was what was behind the counterculture of the 1960s so I I don't know um but it's it certainly didn't it certainly didn't work out that way and so we go when we go from the Frank school and another connection Point leading into the Beatles I mentioned earlier was the um the Beat Movement so the Beat Movement were cultural marxists as well and uh three primary players there were more but there was William S Burrows who was on the cover of who is on the cover of Sergeant Pepper Alan Ginsburg and Jack kowak and the members of The Beat Generation developed a reputation as new Bohemian hedonists who celebrated non-conformity and spontaneous creativity now this the spontaneous creativity goes back to the cult of pan so all mixed up in this cultural Marxism Pete is the cult of pan and the cult of dianis basically doest th Wilt if it feels good do it and we have the Nike tagline just do it so it all goes back to that as well and um elements of the Beat Movement were incorporated into the hippie and larger counterculture movements and um the Beats had a pervasive influence on rock and roll and popular music including the Beatles Bob Dylan and Jim Morrison The Beatles spelled their name with an a partly as a Beat Generation reference ah I never I never connected that okay yep goes back to the Beats also the beetle goes back to the scarab beetle of Egyptian mythology because Egyptian scarab beetles is associated with Enlightenment and um John Lennon was a fan of Jack caroak and as I mentioned uh The Beatles put William S burrow on the cover of the Sergeant Pepper album so um of course that that again led us into the Beatles And The Beatles were really the first manufactured band to come out with a full-fledged mission of social engineering um they were the Bedrock and other genres were built upon the Beatles even genres which people think are completely uh unrelated uh The Beatles are the foundation of the house so your roof may not look like your roof may not look like your basement but without that basement you wouldn't have the roof it's all connected it's all connected yes I think what I've always wondered is as I said when we first met is why did the Beatles have such an influence on me how did they take me by the throat as an eight-year-old kid and I couldn't look away and you know I wondered if there's anything in the music especially newer music where there some type of hidden tone like a Hertz or something that makes it hypnotic because I listen to Crosby Stills nashing Young's album they're one of their first albums and I as a grown man I can't listen to it because every time I hear it I go into like I'm high like I'm just like whoa I'm like oh this is not right there's never why would this music do this to me and I've always wondered what is it about this genre that took young people's mind like mine and just totally threw me I mean I was off in the woods until I was in my 30s obsessed with the Beatles anybody if you met any of my family or friends from that era they would tell you I was a lunatic for the Beatles And you I would get into fights with people that they were the best band and um do you know of anything that's in the music itself that they've put into any not just their music that is Hypnotic in such a way since you you've done hypnosis is there any way to to break the tracks a part or hear a tone that's buried in the mix that is like a dog whistle I know that's on Sergeant Peppers but yeah I don't know about the uh I don't know of a way to identify which frequencies have been put into the music to elicit some kind of response now Alan watt uh the musician and the uh the the truth Seeker not not the other alen watt um okay yeah I had Allan had a quote of his he was actually not a quote but it was a an interview and at the end of my um followup to my big presentation did the Beatles write all the Rome music I I did a follow-up title the addendum at the very end um I had an interview was about five or six minutes of Allan he explained now I don't know how Allan knew this but he said that George Martin was uh an expert in incorporating frequency sound frequency into music seriously yes yes you just oh I just was pulling that out of my backside so no I'm on to something yeah you're on to something so okay he he talked about this and um and like I said I don't know how Allan knows this so so this tells us if Allan is correct and I I ECT he probably is this tells us what I've always suspected that George Martin was more than just a producer he was in my view uh a social engineer a social scientist working with Theodor Dono perhaps even working with like mentioned before Willis Harmon who was behind the human potential movement and you'll read about Willis Harmon in the Memoirs of Billy shears he gets notable mentioned a couple of times in the book okay so I think all of these guys Pete were um they were all on the same page MH and they were all working for uh for the same company with the exact exact same objectives and you know the way the Masonic system works is it's a pyramid structure it's like a big Corporation think of it as Masonic incorporated or Freemasonry Incorporated and um you have a chart there of that don't you I have a chart I have a chart that I don't have it here with me right now but okay um a person by the name of Dylan Monroe I stumbled upon this going back about two months ago and he put together a pyramid of power um it's a hierarchy and he did a phenomenal job of there's five tiers and placing who's where in that tier everywhere from the the mass population at the very bottom of the pyramid up through the corporations up through um the international structures like the United Nations the uh international monetary fund and all that stuff up through the secret societies like the Freemasons going up into U into the Vatican and and by the way he he shows that aliser Crowley's religion of the Lima which is luciferianism which is the cult of pan uh is very high up that pyramid as I had surmised by doing my own research so I was very happy to see that and I don't know Dylan at all I just happened to come across his work when he placed thma that high up the uh into the third tier of the pyramid um I said well there you go you know so um so this pyramid the way it works is like I said it's just like a corporation whenever it is a project or there's an initiative or there's some kind of an agenda that needs to get done they they they ta their resources their Network for the best skilled people to pull together whatever it is they're looking to do and that's what I think happened with George Martin so I think initially George was not brought into the fold because at that point there was not a need to know but the Beatles unbeknownst to him were being brought along by levels above him and so when it was time to bring the Beatles uh in under his wing that's when he was told you're going to take them on and not only are you going to take them on but you're going to be instrumental in creating what they became because without without George Martin The Beatles it were going nowhere nowhere fast and um and I've covered this on on so many shows without getting into yeah you know well I think the thing that makes it seem like they were manufactured is because when you hear the early recordings in Hamburg the crowd is like oh yeah great but I'm supposed to believe that was just an off night and but come on I mean they they they were average at best doing Shimmy Shimmy Shake and you know all that stuff I'm just like it has to be somebody had to go I don't care what they look like now we're going to make them into something yes it just seems like they were plucked out of there's no way out of all the bands that were in Hamburg and in Liverpool and England that they just happen to get lucky it's just it just doesn't seem possible yeah and um we have to keep in mind that the Beatles went to Hamburg in August of 1960 and they were known as a bomb group and this is explained by their manager the time their Handler Alan Williams yeah in the Complete Beatles from the 1980 documentary which was considered the Beatles documentary until Anthology was released and so from August through December of 1960 The Beatles basically banged around Hamburg uh it was the red light district there was lots of um booze there was lots of drugs there was lots of lots of prostitution uh in fact again the book uh Lenin prophecy Joseph n Goa goes into this The Beatles were treated for sexually transmitted diseases STDs um and they left Hamburg in uh December of 1960 completely dejected because nothing happened nothing happened oh yeah and um it didn't pick up until 1961 and uh you and I talked about this on our first show when you know all of a sudden they start getting all of these gigs and they're getting booked left and right uh whether whether it uh whether it be back in Hamburg or back home in Liverpool and adjacent areas um and this is a band that really had nominal skills musically yeah exactly and and no songwriting ability Pete um I have a quote from um George Martin where he said that it was not evident it was not obvious yeah that they were songwriters um so you know there's so much with the Beatles Story there's so much that uh the thing is but when you talk about this you're one of the you know you're one of the very small percentage of people that actually are objective and have an open mind to this stuff so many people just absolutely shut it down because like I said earlier what is what does Tavistock create it creates Cults and nobody wants their cult belief system to be questioned nobody oh I know nobody and uh it's a shame too because I try to explain to folks it's okay to question it your life will be okay afterward it really will be well I think the thing with me is um I started thinking about some of the music of theirs when I was a kid that I didn't like like I've told you love me do I the song If it dropped off the face of the Earth the world would be a better place but when I was little I talked myself into going yeah I love this song you know and even songs I couldn't stand like Tomorrow Never Knows and number nine I eventually he like oh this is amazing you know I'm like wait a minute what what happened I you know and it's like cigarettes or booze when you take have your first beer my first beer tastes like crap you know I didn't want to drink it again but I I could laugh and be more lighthearted and hit on girls it's just like you you talk yourself into liking garbage yes and and I don't know if that's all part of the process but I also noticed that I've got a a 2019 Subaru Forester every time I turn on the ignition the radio comes on I'm like why why does the radio have to come on to the last song you last station to listen to and I thought and then we were at a mall over in the east side of Cleveland and everywhere you went in this mall there was music outside in it's it's an outdoor mall there's speakers on the sidewalk you hear classic rock all over the place go in the stores classic rock all over the place like why are we constantly a wash in music in this culture and CNN and fox and the airports and I I started to question all this I'm like wait a minute why why do we constantly have to be barraged with music and messages and we're now walking well this isn't a billboard we you've got your Gretch hat on no offense to you and Gretch but we're walking Billboards they've got us promoting their agenda with logos I you know the Nike logo or or revok or whoever it is and I was like what what nobody else notices it everyone so what you're radio turns on when you turn on the car just turn it off but that's at the point there's a reason why they do that it's why is it doing right that's yeah I I don't think it's by coincidence or convenience yeah people have to stop thinking in terms of coincidence coincidence coincidence all I mean I mean there are coincidences I mean it's no question but the thing is it's about it's about pattern recognition and we do have to take a step back and take a look at where the world is at and you have to ask yourself the question be honest with yourself be objective and say do you like what you see does this seem normal to yeah to you and it's you know I'll answer from my perspective no it is not normal there's a there's a tremendous amount of dysfunction and decadence and it's completely upside down um the entire political system is a clown show oh yeah it's really bad it's really bad and people are still playing in it people are still cheering it on and and believing in it and I don't know people who are critical thinkers people who could think clearly they're a very small percentage of the population and a lot of times we sound like lone wolves you know how night yeah oh yeah nobody wants to hear when we say Hey you know uh I don't know I don't know about that guy or whatever people don't want to hear it people love to worship they love to follow they want to have their Heroes yeah that's what they want that's what they want and i' I've got a podcast uh on mind Revolution where I say be your own hero because no one's coming to save you no Donald Trump is not going to save us or keep IL legals out I mean he didn't do it the first time what does anybody think he's going to do it this time I just don't understand you know I I hate to pick on my wife but she watches These reality TV shows and they come on and I tell her I said there's a whole camera crew that these women do you ever watch New Jersey Housewives or any of those horrible shows it's just these really horribly Dawn up women with plastic implants and boobs hanging out and they [ __ ] and scream at each other and cry and get drunk and all this stuff and I said to Meg I said there there's a whole camera crew behind the scene here this is not reality there's there's grips and gaffs and cameramen and producers and sound Texs it's there's no way it's spontaneous and if they don't do it right the first time they say cut okay Jean say that call that girl a prostitution [ __ ] with more intensity all right let's do it again and oh she's like yeah I know that but I just like watching it and and and when you watch her watch it it's like she becom the child yes I watch she just she becomes she goes into this little world and I just sit and watch her just horrified at you know how she's so bedazzled by these TVs and her mother watches them too remember what I told you that what t one of their tactics is to reduce adult thinking to a childlike State yeah yeah I mentioned that uh when we did the last interview about all the cartoon animals they used to yeah entertain us with with insurance companies and things like that it's yeah and we talked about the Beatles now and then video which was like it was you know I me it was like a Sesame Street episode it was all this silly goofy stuff and if you watch the comments or you read the comments under that video it's amazing you have adults just just fawning over this stuff and and oh yeah reacting like children and writing out childlike comments it's it's just absurd yeah yeah they're in tears they're they're choked up they're vampt because they've got you know and I used to be liked I still get like that over some music yeah uh but it more of my stuff is with Clapton and his Blues solos that really moved me but um that's a whole another thing but this has been great I don't know if if uh I got you off track cuz I kept asking questions no I think we covered just about everything we got there thanks everybody for watching that was Mike Williams talking about Theodore ororo tavist talk and their connection with the Beatles I hope you like this video thanks a lot Mike for for being on the show was a great pleasure working with you and if you like this video give it the thumbs up subscribe share it the greatest way you can support this Channel for free is just to like And subscribe thanks a lot for watching on PT pop on a mind Revolution signing off Al Zayn baby would you like fries with that would you like fries with that