Stephen Colbert, a master at satire and unrivaled
speech prowess, has been on our screen for well over a decade now, bringing smiles and sometimes
unhinged laughter to our faces. For a person who creates such an atmosphere, mostly out of rather
important topics like politics and religion, surely one might think he’s had an easy
life and enjoyed success effortlessly and without serious struggles. However,
he simply has not. How well do we know Stephen Colbert? What heartbreaking life
experiences broke and remolded him into who he is now? Join us as we discuss the
heartbreaking tragedy of Stephen Colbert. Early Life: Origin Story of Stephen Colbert
Stephen Colbert was born in Washington, D.C., the youngest of eleven children in a large
Catholic family. In descending order of age, his siblings are James the Third, Edward, Mary,
William, Margo, Thomas, Jay, Elizabeth, Paul, and Peter. He spent his early years in Bethesda,
Maryland, before growing up in the Charleston, South Carolina, suburb of James Island..
Stephen's upbringing was steeped in academia, warmth, and religion. His father, James William
Colbert Jr., was an immunologist and medical school dean who worked at Yale University,
Saint Louis University, and eventually the Medical University of South Carolina, where
he became the school's first vice president of academic affairs in nineteen sixty-nine.
Stephen’s mother, Lorna Elizabeth Colbert, was a homemaker who deeply influenced her children.
In interviews, Stephen had never been shy to speak fondly of his parents, describing them as
devout individuals who also placed a high value on intellectualism. They taught their children
that it was possible to question the church while remaining committed Catholics, a skill that
will exponentially help his intellect and sharpen his wit when he discusses religion in the future.
Colbert’s father was interested in French humanist writers such as Léon Bloy and Jacques Maritain,
while his mother admired Dorothy Day, the leader of the Catholic Worker Movement. Despite their
intellectual leanings, Colbert recalls having a conservative upbringing. His mother, for example,
voted for a Democrat, John F. Kennedy, only once in her life. In a separate interview, Lorna
described Stephen as rambunctious as a child. Growing up, Colbert noticed that Southerners were
often depicted as less intelligent on television, so he taught himself to imitate the speech of
American news anchors to avoid that stereotype. Colbert sometimes jokingly claims that his
surname is French, though his ancestry is actually fifteen-sixteenths Irish. One of his
paternal great-great-grandmothers was of German and English descent. Many of his ancestors
emigrated from Ireland to North America during the nineteenth century, before and during the
Great Famine. Originally, the family surname was pronounced as “Kohl-burt” in English. Stephen’s
father preferred to pronounce it “Kohl-bair” but maintained the original pronunciation out of
respect for his own father. He gave his children the option to pronounce the name as they liked.
Stephen began using “Kohl-bair” later in life when he transferred to Northwestern University,
seeing it as an opportunity to reinvent himself in a new environment. His brother
Edward, an intellectual-property attorney, kept the original pronunciation. This was
humorously highlighted during a February twelfth, two thousand and nine, appearance on The Colbert
Report, when Edward asked Stephen, “Kohl-burt or Kohl-bair?” Edward replied, “Kohl-burt,” to which
Stephen jokingly responded, “See you in Hell.” Stephen’s upbringing in a family that has eleven
children can be held somewhat responsible for his complex worldview. His home was an intellectual
hub where they discussed topics ranging from literature to theology, a consequence of being
born to a father who was in love with academics. He must have been proud, watching these children
go on and on about intellectual topics. Imagine a scenario where you have to argue your point
against ten other siblings who have their own worldview. This is a huge reason why
Stephen can never seem to back down from an intellectual tussle, he was born
into a brain tug, where everyone ensures to pull the idea their way in a fierce
competition to assert their perspective. For a time, Colbert was uncertain whether he
would attend college, which is rather strange considering who his father is, but he ultimately
applied and was accepted to Hampden-Sydney College in Virginia, where a friend had also enrolled.
He arrived in nineteen eighty-two and majored in philosophy while continuing to participate in
plays. Although he found the curriculum rigorous, Colbert was more focused than he had been in
high school and was able to apply himself to his studies. Despite the lack of a significant
theater community at Hampden-Sydney, Colbert’s interest in acting intensified. After two
years, he transferred in nineteen eighty-four to Northwestern University as a theater major,
realizing that he loved performing even when no one was attending the shows. He graduated from
Northwestern’s School of Communication in nineteen eighty-six, setting the stage for the remarkable
career that would follow. He and his family really had a good thing going. But will this joy
last forever? We will find out soon enough. Tragedy Strikes: The Ephemerality of Life The popular saying is that we know nothing
for sure, and while that might be true, there is one thing that has remained
certain for as long as time immemorial: the ephemerality of life. No matter how
long anyone lives, it is always too short. Stephen, who was born into a family of ten
siblings with whom he grew up, suddenly had to deal with the loss of two siblings and his father,
who lost their lives in a plane crash. This tragic bolt struck out of the blue on September nineteen
seventy-four when Stephen was only ten years old. His father and two of his brothers were aboard
the Eastern Airlines flight two-one-two from Charleston to Charlotte. A final journey that
ended just outside the runway. The plane crash claimed about seventy-two lives, three of which
belonged to his own family. Suffering this type of loss at the tender age of ten opened his
eyes to how ephemeral and fickle life really is. Suddenly, the Colbert home that used to bubble
with intellectual discussion and laughter had turned silent, a silence so tangible you could
cut it with a knife. However, he navigated these times with his mother’s patience and care, being
a beacon of hope and something to look forward to amidst their shared grief and sorrow.
However, how did this crash really happen? September eleven, nineteen seventy-four
began like any other day for any family except for the Colberts, who found themselves
at the tip of a tragic turning point. Stephen Colbert’s father, Dr. James Colbert,
and his two brothers, Paul and Peter, were aboard Eastern Airlines flight two-one-two,
a routine flight from Charleston to Charlotte, little did they know that the journey
was going to end in catastrophe. The aircraft is a Douglas DC-Nine and was
navigating a standard approach towards Douglas Municipal Airport under what appeared
to be typical weather conditions; however, as the plane descended, a critical air incident
occurred. Suddenly, there was fog that clouded the sight of the pilots, and the cockpit crew couldn’t
really decipher their altitude, a mistake further compounded by a fatal lack of cockpit discipline.
Later, during the investigation, they found out that the pilots were not fully in adherence to the
formal landing procedures, which required paying strict attention to the aircraft instruments,
just in case of poor visibility conditions. At around seven thirty-four-ish a.m. in the
morning, just three miles outside the runway, the plane descended too quickly, crashing into
a hillside filled with corn fields. The impact was infinitely devastating; the aircraft was torn
apart, and so was Stephen when he heard the news. The crash was so bad, and according to
reports, it was a rather gory sight to behold, a sight first responders will never forget
anytime soon. Among the eighty-two on board, seventy-two perished, including his family, but
ten survived. While the news created some problems and stirred up the aviation community, they didn’t
feel the impact as much as the Colbert family did. The community around him tried to help him
and his family deal with the pain of their loss. However, the hole it left in their
lives was wholesomely deep and profound, almost like a huge meteorite hitting the
ground. How did Stephen cope with this loss? Stephen Found a Coping Mechanism
Stephen, who was ten at the time, was given the chance to step into the manly shoes of comforting
their mother and the rest of his family. He did his best to process this new reality of
loneliness that has engulfed his life. However, he felt the pain deepest when he got into college.
Let me paint you a powerful mental picture of a campus with freshmen flocking from left and right
in a multitude and their fathers bestowing a look of pride on them and lending out a strong
arm around to lift their heavy boxes. Stephen explained that he had a big break in the cables
of his memory as he found it hard to recover his past memories with them since he lost them at a
rather young age. At this stage, introspection and solitude had become his sanctuary, and he
just couldn’t fathom a place out of them. While children his age were bothered about other things
like video games or getting pajama sets that matched their favorite shoes, he lived in a more
blacked-out version of childhood, dining with the gloom and doom and having tears for dessert.
Stephen had always had one thing that he developed from his time arguing with his
siblings: sharp wit and humor. However, since the loss of his father and two of his
brothers, he has found a new purpose for his wit and humor. They became his coping mechanism,
a way for him to fill the gaping hole inside of him. He kept silent screams in his head quiet by
creating an atmosphere so bright that the doom and gloom residing in his loss could not comprehend.
Despite the struggles in academics, which he later revealed were because he just didn’t like the
conventional studying style, he found solace and a safe haven in performance and literature. While
these newly found interests were solely based on escapism, they turned into something more. They
became a passion that he couldn’t escape from. As someone who has experienced loss,
he developed a well-informed character that helps me navigate serious discussions
with some level of poignancy and levity. His teenage years had seen him develop
some character that was way over his years, owing to the unfortunate event. Forged from
the fire of grief, he grew into a sharp, steel mind that was further enhanced by his
new-found love for scientific fiction and other genres that stretched the imagination of man more
than the ordinary. He became an avid reader with a very specific type of text. He loved the works
of John Ronald Reuel Tolkien, the writer of The Hobbit and Lord of the Rings and a dedicated
player of the Dungeons and Dragons video game. These habits weren't just formed to
create pastime; they were actually lifelines that helped him escape from
any natural thoughts about his loss. Early Career
While attending Northwestern University, Stephen Colbert initially focused on becoming a dramatic
actor, primarily participating in experimental plays with little to no interest in comedy.
His lack of interest nearly robbed a whole generation of comedic astuteness. What
would we have done without his satire? During college, he began performing
improvisation, joining the campus improv team ‘No Fun Mud Piranhas’ and later performing
at the ‘Annoyance Theatre’ in Chicago. This was during a period when Del Close's ImprovOlympic
emphasized competitive, long-form improvisation over traditional improvisational comedy. Stephen
later recalled that he had no intention of joining ‘Second City’ because the ‘Annoyance Theatre’
community viewed ‘Second City’ as less authentic due to its mix of scripted and improvisational
content; they held a somewhat snobbish, mystical attitude toward pure improvisation.
However, after graduating in nineteen eighty-six, he found himself in dire need of a job. A friend
working at the Second City box office offered him a position answering phones and selling souvenirs.
You know what they say about not despising little beginnings and all that? It seems like Stephen
knew it too, so he took the job. Fortunately, he discovered that Second City employees could take
classes at their training center for free. Despite his initial reservations about the comedy group,
he enrolled in improvisation classes and found the experience more enjoyable than he thought.
It almost seemed like he had found his calling. Not too long after his training, his
talents opened up a spot for him with the Second City’s touring company, initially as
an understudy for Steve Carell. During this time, he met Amy Sedaris and Paul Dinello, who
would become frequent collaborators later in his career. According to their own accounts
about the time they all met each other, the trio did not initially get along; Dinello saw Stephen
as uptight, pretentious, and cold, while Stephen viewed Dinello as "an illiterate thug." Despite
this rocky start, they became close friends while touring together, bonding over a shared comedic
sensibility. Lucky for the world of comedy, they figured it out and became close friends.
When Sedaris and Dinello were offered the chance to create a television series for HBO Downtown
Productions, Stephen left Second City and moved to New York to work with them on the sketch
comedy show "Exit 57." The series debuted on Comedy Central in nineteen ninety-five and aired
until nineteen ninety-six. Although it only lasted for twelve episodes, the show received positive
reviews and was nominated for five CableACE Awards in nineteen ninety-five, including best
writing, performance, and comedy series, and that was the beginning of his journey to
television stardom. His transition into comedy is a testament to his resolution and fortitude
to do whatever needs to be done and do it right. Impact of ‘The Dana Carvey Show’ and
‘Stranger with a Candy’ on His Career Following his exit from ‘Exit 57’, Stephen
worked for six months as a cast member and writer on The Dana Carvey Show, alongside
former Second City castmate Steve Carell, and also Robert Smigel, Charlie Kaufman,
Louis C.K., and Dino Stamatopoulos, among others. Although Louis C.K. was the head writer.
The show aired on ABC in nineteen ninety-six, a period when some avant-garde comedy was
on display. The show pushed satire to a very daring limit, tempting viewers on a knife
edge and featuring some more nail-biting comedy. After one episode, the sponsors fled the scene
as they were not prepared for the backlash that might come from the show. However, they continued
but canceled the show after the seventh episode. But Stephen surely wasn’t done yet. He briefly
worked as a freelance writer for "Saturday Night Live" alongside Robert Smigel. Smigel brought
his animated sketch, "The Ambiguously Gay Duo," from "The Dana Carvey Show," to Saturday Night
Live, with Stephen providing the voice of ‘Ace’, opposite Steve Carell, who played ‘Gary’.
Needing to make ends meet, Stephen also worked as a script consultant for VH-One and MTV
and even filmed funny correspondent segments for "Good Morning America." Although only one of
these segments ever aired, it led to a fateful introduction to "The Daily Show's" producer,
Madeline Smithberg, who hired Stephen Colbert on a trial basis in nineteen ninety-seven,
an opportunity he grabbed with both hands. Like that wasn’t enough, he reconnected
with his favorite blasts from the past: Dinello and Sedaris, with whom Stephen created a
new comedy series for Comedy Central, "Strangers with Candy." The show was picked up in nineteen
ninety-eight, overlapping with Colbert's work on "The Daily Show." "Strangers with Candy" embodied
after-school specials by following the life of Jerri Blank, a forty-six-year-old dropout who
returns to high school after thirty-two years of living on the streets. The show was known for its
rather offensive humor and politically incorrect moral lessons at the end of each episode.
A perfect example of this politically incorrect moral lesson from "Strangers with Candy" is found
in the episode titled "Bogie Nights." In this episode, Jerri Blank, the main character, joins
the high school debate team and ends up using underhanded tactics to win. Jerri Blank uses
several underhanded tactics to win her debate. Instead of relying on well-reasoned arguments,
Jerri resorts to bribery, blackmail, and outright lies. She manipulates the debate by threatening
her opponents and sabotaging their preparations, ensuring that they can’t present their case
effectively. Jerri even steals their notes and uses personal attacks against them during the
debate rather than focusing on the actual topic. Now it would have been more morally upright to
ensure that the ‘bad guy’ does not win. However, experimental theater takes a lot of bravery
and maybe too much realism and verisimilitude added to its concepts, so instead of a rather
cliché concept of the ‘good guy always wins’, they opted for another avant-garde approach.
At the end of the episode, instead of learning a valuable lesson about honesty and fair
play, the show delivers the skewed moral that winning is everything and if
you aren’t first, then you are last, typically using the ends to justify the means; not
really something you want to expose children to. Strangers with Candy gave Stephen the
time to rally hone his acting skills, something he had been doing since he joined
the Second City touring group. However, now he's able to use his humor and sharp wit to
get his comedic timing across to the audience professionally. It would seem he had struck gold
with the invention of "Stranger with Candy.” The Daily Show
For a man who was already on the rise, The Daily Show was the perfect platform for
his career. The pivotal part of his career that made him who he became today happened
in nineteen ninety-seven when he met "The Daily Show's" producer, Madeline Smithberg.
His work on ‘The Daily Show’ was nothing short of impressive and transformative, marking a
significant chapter in his career. When he joined the cast in nineteen ninety-seven, "The Daily
Show" was already a huge force on Comedy Central, but Stephen Colbert’s arrival would soon add
a new layer to an already well-embroidered comedic fabric. Initially one of four
correspondents, Colbert was referred to as "the new guy" for his first two years, a
period when Craig Kilborn was still the host. However, when it comes to television
shows, you can always expect a change of host after a couple of years in order to
keep things fresh and keep everyone guessing. The show saw its direction shift when Jon Stewart
took over as host in nineteen ninety-nine. Stewart brought a fresh, political edge to the show,
driving it toward a more satirical and insightful take on the news. Colbert, meanwhile, began
to carve out a unique niche for himself. He wasn’t just reporting the news; he became a
parody of conservative pundits, embodying a character that was, as Stephen Colbert himself
described, "a well-intentioned, poorly informed, high-status idiot." This character was
like a misguided compass, confidently pointing in the wrong direction, often clashing
with well-informed guests, and demonstrating a charming yet glaring lack of knowledge.
Stephen Colbert's persona wasn’t just about laughs; it was also a canvas where you
can pain the most clever critique. He used humorous fallacies of logic as his paintbrush,
painting a picture of political and social absurdities. Fellow correspondents, including
Rob Corddry and Aasif Mandvi, took inspiration from Stephen Colbert’s style, often noting how
they mimicked his unique approach to comedy. One of Colbert's standout contributions was
the segment "Even Stevphen," where he and Steve Carell, like two mock warriors of comedy,
would engage in mock debates about really serious things, turning their confrontations into a
comedic spectacle. Another favorite was "This Week in God," a satirical exploration of religion in
the news, complete with the iconic "God Machine." His segments, from reporting on "gayness" in
British aristocracy to his mock presidential campaign, were as varied as they were memorable.
Stephen Colbert’s fame was starting to grow within ‘The Daily Show’s structure, shedding his ‘New
Guy’ moniker like a snake shedding old skin. His role even extended behind the desk, filling
in as an anchor when Jon Stewart was away, proving his versatility and depth. He brought a
unique spark to the show, lighting up the screen with his wit and satirical edge. By the time he
left "The Daily Show," Stephen Colbert had not only won three Emmy awards as a writer but had
also left a huge mark on the show, with later episodes even reusing some of his classic
segments under the label "Klassic Kolbert." The Colbert Report
Following his exit from The Daily Show in two thousand five, he decided to follow his niche
to a tee, leading to the birth of The Colbert Report. His confidence in his ability is something
only a person with steely resolve could do. He had the option to hide in his shell and lose himself
completely by staying on the periphery. However, he closed his eyes and clenched his fist, raging
on like an erupted volcano, and decided to host his own show and fill it with as much satire as
possible. One could say this is the point where he threw the kitchen sink at it and he didn’t miss.
His career took a whole new shape when he took his own show into his hands. Stephen Colbert took his
satirical talents to new heights when he hosted his own show. This show was a spin-off from "The
Daily Show," and it became an iconic parody of television news broadcasting, specifically
targeting the cable news talk show format popularized by legends of television entertainment
like Bill O'Reilly, Sean Hannity, and Glenn Beck. The ‘Colbert Report’ was a very different concept
from what the audience was used to. The show was absolutely unique. It was a satire of
conservative political talk show hosts. Stephen Colbert's character was a parody of those
types of commentators, exaggerating their traits and viewpoints to highlight the absurdities
and contradictions in political discourse. The show used humor to critique and mock the
style and substance of conservative punditry. Interestingly, "The Colbert Report" began as
a fictional series within "The Daily Show," presented as a joke in a series of segments.
However, the concept quickly caught on, leading to its development by Stewart’s Busboy
Productions and eventual green-lighting by Comedy Central, who were eager to expand "The Daily Show"
franchise. The show premiered to strong ratings, with an average of one point two million
viewers per night during its first week, securing its place as one of Comedy Central's
top-rated shows within its first month. Colbert's on-screen character shared many aspects
of Colbert’s real life, though often with a humorous twist. The character was depicted
as having a deep knowledge of Catholicism, science fiction, and "The Lord of the Rings."
He was also from South Carolina, the youngest of eleven siblings, and married, mirroring
Stephen Colbert’s actual background. However, the character’s history often diverged from
reality, with Colbert’s acting and comedy career downplayed or denied, and his alma mater
switched from Northwestern to Dartmouth College, which was known for its conservative leanings
during the nineteen eighties, which is the whole point of creating the character in the
first place; a satire on conservative politics. "The Colbert Report" left a great
legacy on television comedy, being that it was an avant-garde television
satire, and it surprisingly got accepted as Stephen was successfully blending sharp
political satire with a character-driven format that made it both a critical and commercial
success. What was it about Colbert’s satirical character that resonated so strongly with
audiences? And how did "The Colbert Report" pave the way for future comedy that dared to
blur the lines between fiction and reality? The Late Show Stephen Colbert’s avant-garde style of television
satire has reached all corners of the television landscape and entertainment industry, including
the ”The Late Show” franchise. It would seem his experimental style of satire has now been
accepted all over the entertainment world. After being announced as David Letterman's
successor on "The Late Show," Stephen Colbert took over hosting duties in September two thousand
fifteen, marking a significant shift in the show's tone. While David Letterman’s version of "The
Late Show" was known for its variety of humor and celebrity interviews, Colbert brought a sharper
political focus to the program, reflecting his years of experience in political satire on "The
Colbert Report." He has carved a niche for himself and isn’t ready to let go of it. It wasn’t
much of a problem for ‘The Late Show.’ as the producers didn’t force him to switch his niche and
follow the status quo. They asked for fresh blood, and that is exactly what they got. He took the
show by storm, and he was amazing from the get-go. One of the early highlights of Colbert's
tenure was his hosting of the sixty-ninth Primetime Emmy Awards in two thousand seventeen,
where his blend of wit and political commentary was on full display. Beyond "The Late Show,"
Colbert has expanded his influence through his production company, Spartina Productions,
which has been behind projects like "Tooning Out the News" and "Fairview," as well
as his role as an executive producer on Comedy Central's "Tha God's Honest Truth."
For Stephen, comedy isn’t just comedy; he sees it as a vehicle to propel change and
understanding. It is a tool for shedding light on the uncomfortable or overlooked aspects of
life, politics, and religious morals. Through his nuanced approach, he encourages fans to engage
situations with humor, wit, and critical thinking. How does a man harness the darkest moments
of his life as a tool to light up America? Awards and Honor
If there is anything certain about the entertainment world,
it is the fact that effort and talent are not only seen but appreciated.
In the year two thousand, Colbert and the other Daily Show writers received three
Emmy Awards as writers for The Daily Show, and again in two thousand five and two thousand
six. A serious testament to their consistency. Stephen’s fame continued to soar as he continued
grabbing hearts and turning heads on his new show, ‘The Colbert Report,' and his consistency didn’t
go unnoticed. Hence, in two thousand five, he was nominated for a Satellite Award for
his performance on The Colbert Report, and again in two thousand six. He was also
nominated for three Emmys for The Colbert Report in two thousand six, including Best
Performance in a Variety, Musical Program, and Special, which he lost to Barry Manilow.
Manilow and Stephen Colbert later jokingly signed and notarized a revolving biannual custody
agreement for the Emmy on The Colbert Report episode aired on October thirtieth, two thousand
six. He lost the same category to Tony Bennett in two thousand seven and Don Rickles in two thousand
eight. However, this didn’t stop him from working as hard as he does or even considering
changing his niche. He just won't stop! Did you enjoy the video? Show
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